Objects of Devotion
Religion and Its Instruments in Early Modern Europe
Ethan Matt Kavaler, Anne-Laure Van Bruaene (eds)
- Pages: approx. 228 p.
- Size:216 x 280 mm
- Illustrations:4 b/w, 126 col.
- Language(s):English
- Publication Year:2026
- € 115,00 EXCL. VAT RETAIL PRICE
- ISBN: 978-2-503-58437-9
- Hardback
- Forthcoming (Aug/26)
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Ethan Matt Kavaler is Professor of Art History at the University of Toronto and Director of the Centre for Reformation and Renaissance Studies.
Anne-Laure Van Bruaene is Professor of Early Modern Cultural History at Ghent University.
Historians of the late medieval and early modern period have created an antithesis between spiritual (inward) and physical (outward) devotion, branding the latter as superficial, ritualistic and mechanistic. More generally, from the first Protestant historians to Max Weber and his followers, the Reformation has come to be represented as the classic watershed between material, magical devotion and spiritual, rational belief. In a similar vein, art historians have opposed the notion of the medieval cult image, material and functional, to the early modern work of art, subject to aesthetic regard. Yet, does it make sense to distinguish between late medieval and early modern religious culture, given the fact that the definitions and boundaries of these periods are notoriously problematic and considerably overlap?
This volume shows how in early modern Europe religious ideas and practice were realized through interaction with objects that were both functional and aesthetic and how the presence of sculptures, paintings, books, and church furniture—their visibility, tactility, and materiality—helped form attitudes toward devotion, sacred history, and salvation.
Introduction
Ethan Matt Kavaler & Anne-Laure Van Bruaene
Part 1: Touching Things
Touching Rosary Manuscripts: How Patterns of Wear Reveal Devotional Handling Practices in Two Late Medieval Manuscripts
Kathryn M. Rudy
Along the Lines: Folds and Pleats as Evidence of Devotional Use of an Amulet Sheet (Princeton MS 235)
Marie Hartmann
Devotion Made Miniature: Small-Scale Religious Sculpture in the Sixteenth-Century Low Countries
Elizabeth Rice Mattison
Part 2: Living Sculpture
In the Beginning Was the Wood: The Altarpiece to the Seven Sorrows of the Virgin in Kalkar
Ethan Matt Kavaler
Lamentations over the Dead Christ: Emotional Expression, Affective Piety, and the Flagellants
Isabelle Frank
Misbehaving with Italian Renaissance Devotional Sculpture: Pygmalion’s Legacy
Una Roman D’Elia
Part 3: Framing the Sacred
Civic Identity Machines: The Relic Houses of Dortmund, Werl, and Unna
Achim Timmermann
Presence and Proximity: The Candelabrum of the Order of the Golden Fleece
Anne-Laure Van Bruaene
Part 4: Reformations
The Arma Christi in the Seventeenth-Century Dutch Republic: A Calvinist Afterlife
Herman Roodenburg
The ‘Ornamentalisation’ of the Ornamenta Sacra in the Early Modern Low Countries
Ralph Dekoninck and Caroline Heering
The Afterlife of Medieval Tabernacle Shrines in Scandinavia
Justin Kroesen
