Ikon 15/2022

Uvodna riječ / Foreword

Claudia Cieri Via
Unveiling the Other: Art, Images, and Cultures

Debra Higgs Strickland
Otherness on the Hereford World Map (c. 1300)

Iris Grötecke
The Visibility of the Pagans: Transformation and Dissemination of an Undervalued Ancient Motif in Northern European Medieval Art

Ivana Čapeta Rakić – Giuseppe Capriotti
An Inquiry into the Image of Jews in 15^th-Century Istria: The Iconography of the Jewish-Christian Dispute

Nataša Kavčić
Otherness in Medieval Document Decoration

Jakov Đorđević
Visualising Sexual Otherness in the Late Medieval Eastern Christian Monasteries

Dmitriy Antonov
Demonizing the Aggressors: Russian Icons of The Battle of Novgorodians against Suzdalians

Sergei Zotov
Pagan Otherness in the Christian Church: Iconography of Ancient Philosophers and Intellectuals in Russia and the Balkans

Nicolás Kwiatkowski
Martyrdom and the Visual Production of Otherness in Europe, 1450-1650)

Luis F. Bernabé-Pons
Visual (Mis)Representations of Islam and the Prophet Muhammad

Francesco Sorce
Maometto a Roma e crociate in piazza: La facciata di Polidoro da Caravaggio e Maturino da Firenze in piazza Capranica

Maria Luisa Ricci
Exclude or Convert? The Image of the Muslim Slave in the Iconography of the Vision of St John of Matha in Rome

Laura Stagno – Valentina Borniotto
Anachronism at Work: Villains and Enemies as Turks in Early Modern Religious Art in Genoa and Liguria

Marta Battisti
"Whoever Belongs to God Hears What God Says" (John 8:47): The Other as Deaf in Two Frescoes by Filippo Lippi and Gualtiero Padovano)

Valerija Macan Lukavečki
Religious Otherness in Giulio Clovio’s Miniatures

Javier Cuevas del Barrio
Iberia – Iconosphere of Religious Otherness: The "Sodomitic Moor" in 16^th-Century Spanish Painting

Borja Franco Llopis
The Rebellion of the Alpujarras, Virgil, and the Fall of the Giants by Petrus Firens: Cover Art for Historia de las Guerras Civiles de Granada

Mauro Salis
The Augustinian Way: Religious Otherness through the Images of Augustinian Devotion in 16^th- and 17^th-century Sardinia

Olaya Sanfuentes Echeverría
Otherness Underfoot: Enemies of Occidental Christian Culture Defeated by the Apostle St James

Özlem Yıldız
A Wise Enemy: The Seventeenth-Century Ottoman Portrayal of the Polish Commander Stanisław Żołkiewski

Rita Ladogana
Political Power and Religious Otherness in the Fascist Era: The Polemic about the Connections between Judaism and Modernist Art and the Instrumental Use of the Nazi Iconography against "Degenerate Art"

Marilena Pateraki
Monumental Management, Landscape Iconography and the "Muslim Other" in Interwar Greece

Veronika Nela Gašpar – Davor Šimunec
Dall’alterità religiosa alla fraternità universale

Prilog / Prikaz
Contribution / Review

Maria Bergamo
Tra l’apofatico e l’epifanico: Riflessioni sull’iconografo e l’artista, dai madonneri cretesi ai mistici russia

Marina Vicelja-Matijašić
The Relevance of Iconography to Art-historical Scholarship

Marina Vicelja-Matijašić
The Essentials of Image Studies

Marina Vicelja-Matijašić
Glimpses into Byzantine Philosophy and Art