
- Pages: 312 p.
- Size:240 x 310 mm
- Language(s):English
- Publication Year:2019
- € 56,00 EXCL. VAT RETAIL PRICE
- ISBN: 978-2-503-58266-5
- Paperback
- Available
- E-journal
- Available
IKON promotes wide range of contents and themes of iconographic studies, focusing on the role and function of « image » within the period and place of its origin as well as its contemporary reception and discernment. The journal seeks to present different perspectives in understanding and interpreting images incorporating cross-disciplinary studies and recent results in other complementary disciplines. IKON is an annual publication published by the Faculty of Arts and Sciences at the University of Rijeka.
IKON publie des études iconographiques qui abordent le rôle et la fonction de l’ « image » pendant sa période et sur son lieu d’origine ainsi que son acceptation et son discernement contemporains. Le journal a pour dessein de présenter différentes perspectives en termes de compréhension et d’interprétation d’images en intégrant des études pluridisciplinaires et les derniers résultats des autres disciplines complémentaires. IKON est une publication annuelle de la Faculté d’Arts et de Sciences de l’Université de Rijeka.
Uvodna riječ / Foreword
Dino Milinović
Heroes Don’t Cry
Physical Pain and Moral Anguish in Greek and Roman Art
Emanuela Fogliadini
The Massacre of Innocents
Representing the Biblical Suffering in the Mosaics of Chora
Jakov Đorđević
Horrors of the Perverted Eucharist
Sensing Pelops’ Dismembered Body in Panteleimon cod. 6
Gili Shalom
Triple Martyrdom at Notre Dame de Mouzon
Dmitriy Antonov
Prisoners of Hell in Russian Iconography: Figures and Gestures
Nataša Golob
Suffering Job: Rethinking the Iconography in the Manuscript of Moralia from Kranj (1410)
Ivana Čapeta Rakić - Valentina Živković
Maternal Pain in Miracle Scenes as a Part of Catholic Propaganda in the Late Medieval and Early Modern Period
Milena Ulčar - Saša Brajović
One Body, Many Torsos: Depicting the Tormented Body of Christ in Early Modern Bay of Kotor
Paolo Sanvito
Pain in Representations of Intimacy with the Crucified Christ in Lutgard of Tongeren and Catherine of Siena as Impulse to Innovative Iconographies
Giuseppe Capriotti
The Pain of Ancient Gods and Heroes
The Use of Raised Arms as Pathosformel in Giovanni Antonio Rusconi’s Xylographs for the Trasformationi by Lodovico Dolce
Claudia Cieri Via
“Una Baruffa Bellissima”. The Massacre of the Innocents: An Ancient Tragedy in Modern Times
Yvonne Dohna Schlobitten
Guardini e Michelangelo: la sofferenza dell’arte
L’opposizione polare nella creazione artistica
Sanja Cvetnić
Cesare Fracanzano’s The Penitence of St Peter in Dubrovnik and the Iconography of Penitence in Giovanni Bonifaccio’s L’arte de’ cenni (1616)
Alessia Pannese
Body of Evidence: The Case of Early Modern Enthusiasm
Anuradha Gobin
Death Ambushed: Sex, Fertility and Laughter in the Shadow of Pained Bodies
Pierre-Olivier Ouellet
Supressing or Exacerbating Pain: Emulation and Conversion Strategies Utilizing Images by Jesuit Missionaries in New France
Vladimir P. Goss
Beyond Morse Peckham: Love and Pain in the Art of Antoine Watteau
Francesco Leonelli
The Constitutio Criminalis Theresiana and the Representation of Torture in German Criminal Codes during the Time of the Enlightenment
Marta Equi Pierazzini
“The subject of pain is the business I am in”Louise Bourgeois and the Iconography of Hysteria: Reclaiming the Visibility of Pain
Hans-Peter Söder
Pain Is Good. Warburg’s and Heidegger’s Iconological Struggle Against Technological Modernity
Giulia Bordignon - Maria Bergamo
Iconographies and Pathosformeln of Pain in Aby Warburg’s Mnemosyne Atlas
A Pathway through Plates 5, 6, 41, 41a, 42, 53, 56 and 58
Dorota Kownacka-Rogulska
Beyond the Pain and Towards the Spiritual Awakening: Andrzej Wróblewski’s Experience of War and Everyday Life Trauma
Barbara Crostini
Natural Suffering: Viola, Psellos, and a Christian Ecology of Pain
Janneke Schoene
Objectifying the subject On the staging of artists in pain
Karen von Veh
The Pain of Martyrdom: Diane Victor’s Ghostly Victims
James Macdonald
A Black Passion: Accounting for the Violent Science of Apartheid, as Chronicled in the Reimagined Passion Narrative of Sokhaya Charles Nkosi’s 1976 Crucifixion
Marko Špikić
Didactic Images of Pain: Use and Abuse of Ruins in Europe after 1945
Elisabeth Punzi
Art and Mental Health Care as Cultural Heritage and Current Practice
Prilozi – Prikazi – Dodatak / Contributions – Reviews – Appendix
Rosanna Bianco
Il culto di Santa Caterina d’Alessandria tra silenzi, assenze ed omissioni
Davide Stimilli
Timely Fragments
Zrinka Blažević
Schiavoni: Artists, Nation, Ideology
Cássio Fernandes
Aby Warburg in Buenos Aires
Dvanaesti međunarodni znanstveni skup ikonografskih studija / Twelfth International Conference of Iconographic Studies