Journal IKON, vol. 4

Ikon 4/2011

Iconography of Death

Marina Vicelja (ed)

  • Pages: 374 p.
  • Size:240 x 310 mm
  • Language(s):English, French, Italian
  • Publication Year:2011

  • € 47,00 EXCL. VAT RETAIL PRICE
  • ISBN: 978-2-503-54070-2
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    Summary

    Death is a comprehensive and extremely important subject in the history of mankind with the long tradition of pictoral representation as well as the concurrence in other artistic media through diverse iconographic schemes related to the wider sociological and cultural context."Memorials of the dead" occupy a special place within the artistic production, providing a continuing inspiration for artists in communicating messages of burial and commemoration rituals. The approach in IKON is multidisciplinary - the objective is to inform scholars of recent research results in the studies in iconography but also other comparative disciplines in dealing with the subject. 

    TABLE OF CONTENTS

    Foreword
    Dino Milinovic, ΟΥΔΕΙΣ ΑΘΑΝΑΤΟΣ: Images Surrounding the Dead in Late Antiquity (Some Examples from Salona in Dalmatia
    Ekaterina Endoltseva, Image of Afterlife in Medieval Plastic Art of Abkhazia
    Branislav Cvetkovic, The Living (and the) Dead: Imagery of Death in Byzantium and the Balkans
    Svetlana Smolcic Makuljevic, Death in the Medieval Visual Culture of the Balkans
    Dubravko Lovrenovic, Bosnian "School of Death": Interconfessionality of Stecci
    Aleksandra Buncic, The Sarajevo Haggadah: Iconography of Death in Jewish Art and Tradition
    Pavel Stefanov, Between Heaven and Hell: Toll-Houses of the Souls After Death in Slavonic Literature and Art
    Nicoletta Usai, Un episodio pittorico del XIV secolo in Sardegna: l'incontro dei tre vivi e dei tre morti nei dipinti della chiesa di Nostra Signora de Sos Regnos Altos a Bosa
    Simona Cohen, Tempus Edax Rerum: Time and Demise of Human Achievement in Renaissance Allegory
    Tomislav Vignjevic, The Tree of Estates and Death in the Art of the Early Modern Period
    Ivana Prijatelj Pavicic, Le miniature della trascrizione del Purgatorio di San Patrizio nel Codice Bucchia di Cattaro, 1466
    Lasse Hodne, Masaccio's Skeleton and the Petrarchan Concept of Time
    Xenia Muratova, La morte e il libro
    Natasa Golob, Charterhouse Readings: Dialogue Between the Soul and the Body
    Barbara Baert, The Head of Saint John the Baptist on a Platter: the Gaze of Death
    Ivan Gerat, Dying Again and Again: Remarks on the Legend of Saint George in Jindrichüv Hradec (Neuhaus)
    Béla Zsolt Szakacs, From Passing to Tomb: Images from the Hungarian Angevin Legendary
    Ana Munk, Somatic Treasures: Function and Reception of Effigies on Holy Tombs in Fourteenth Century Venice
    Marijana KovaCevic, The Omnipresent Death in the Iconography of Saint Simeon's Shrine in Zadar
    Yoni Ascher, The Drama of the Dead and the Living: Theatrical Design of Sepulchral Chapels in Renaissance Naples
    Bartfomiej Lyczak, The Coffin Portrait and Celebration of Death in Polish-Lithuanian Commonwealth in the Modern Period
    Daniel Premerl, The Meaning of Emperor Francis I's Funeral in Bologna
    Stefania Biancani, Il ritratto impossibile: la morte nel racconto visivo di Élisabeth Vigée Le Brun
    Yvonne zu Dohna, Rothko: the Iconography of Color
    Rebeka Vidrih, Death as the Murder and the Void, and How to Remember It: Libeskind's Museum and Eisenman's Memorial in Berlin

    Prilozi - Prikazi - Dodatak / Contributions - Reviews - Appendi
    Barbara Peklar, The Heroic Death Beneath the Walls of Troy: Before and After Chris
    Veronika Csikos, Styling the Dead: Tradition(s) of Making the Pontifical Tombstone in Angevin Hungary
    Ana Kaniski, Two Examples of Allegorical Figure of Death as a Skeleton in the Northwest Croatian Art
    Enver Kazaz, Interconfessionality of Stecci and Roots of the Bosnian Culture of Death