Journal IKON, vol. 13

Ikon 13/2020

Afterlife of Antiquity

  • Size:240 x 310 mm
  • Language(s):English
  • Publication Year:2020

  • ISBN: 978-2-503-58731-8
  • Paperback
  • Available
    • E-journal
    • Available



    Claudia Cieri Via
    Aby Warburg and the Afterlife of Antiquity
    Morphology and History
    Han Lamers
    Afterlife of Antiquity: Historical Maenderings
    Katia Mazzucco
    Nachlebende, Nachleben
    Vehicles of Afterlife in (Some) Images and Words of the Warburg Library
    Rebeka Vidrih
    Triple Martyrdom at Notre Dame de Mouzon
    Doron Bauer
    Reused Roman Sarcophagi and the Emergence of Romanesque Sculpture in Northern Spain
    Romana Rupiewicz
    The Motion of Celestial Bodies in Medieval Iconography. Christian Assimilation of Ancient Cosmology
    Fabio Tononi
    Andrea Mantegna and the Iconography of Mourners. Aby Warburgs Notion of Pathosformeln and the Theory of Aesthetic Response
    Barbara Baert
    Afterlife Studies and the Occasio Grisaille in Mantua (School of Mantegna, 1495-1510)
    Mauro Salis
    When did Amphitrite Cross the Tyrrhenian Sea? Some Reflections on the Appearance of Grisaille, Myth and the Classical Renaissance Style in the Periphery of the Crown of Aragon
    Stephanie Heremans
    Fritz Saxl as Reader of Aby Warburgs Sassetti Essay
    Simona Drăgan
    Ancient Survivals, Ingenious Meanings. Iconographic Echoes and Symbols of Dantes Iphigenia in the Sienese Art of the Early Renaissance
    Thodoris Koutsogiannis
    Ancient Greek Figures in Renaissance Germany via Italy. Cyriacus of Anconas Drawings and Their Distorted Perception
    Giacomo Montanari
    Da Ciriaco a Sandro. Modelli culturali e figurativi dellAntica Grecia dai viaggi del Pizzecolli ai dipinti di Botticelli
    Alessandra Galizzi Kroegel
    From War Hero to Slave to Love. On the Reception of Achilles on Scyros in the Renaissance
    Giuseppe Capriotti - Francesca Casamassima
    Hermaphroditus and Iphis. Texts and Images from two Ovidian Myths to Visualize Sexual Ambiguity in the Early Modern Age
    Lasse Hodne
    The Afterlife of Greece. Warburgs Nietzschean Critique of Winckelmann
    Laura Stagno
    Roman History Themes for Andrea Dorias Palazzo del Principe
    Filipa Araújo
    Love is a fire that burns unseen. The Reception of Greek Erotic Representations in Alciatos Emblemata and Camoes
    Jasenka Gudelj
    Resemiotization of Eastern Adriatic Antiquities. Uses and Abuses of the Ancient Past
    Antun Baće – Maja Zeman
    Ancient Water-God in the Residences of Early Modern Dubrovnik
    Agnieszka Skrodzka
    Antique Inspirations in the Ideological Programmes of Artworks of King Stanisaw Augusts Patronage (1764-1795
    Ylva Haidenthaller
    Adapting Antiquity. References to Classical Literature on Early Modern Swedish Medals
    Irena Kraševac
    Classical Themes as Iconographic Motifs in Historical Allegorical Painting. Examples by Gustav Klimt in the Rijeka Municipal Theatre and Ivan Tiov at the University Library in Zagreb
    Palma Karković Takalić
    Maritime Parnassus and the Iconographic Program of the Main Faade of the Municipal Theatre of Rijeka
    Claudio Zambianchi
    Lost and Found: Archaeological Fragments and Contemporary Art
    Rita Ladogana – Ciro Parodo – Marco Giuman
    "The Infallible Sign of the Destiny". Reflections on the Iconography of the Myth of the Foundation of Rome in the Art of the Fascist Era
    Roberta Minnucci
    Heaps of Rags and Double Visions. The Interpretation of the Classical Venus in Arte Povera
    Anthi-Danaé Spathoni
    Idyllic, Pastoral and Abstract. Cy Twomblys Reinvented Arcadia
    Karen von Veh
    Classical Mythology as Satire. The Realities of a New South Africa in Diane Victors Birth of a Nation Series
    Jarosław Janowski
    Existence and Transience. The Ancient Idea of Number in Conceptual Art