Tributes to T.A. Heslop

From Miniature to Monumental: Studies in Medieval Art and Architecture honours the scholarly career of T.A. Heslop, Emeritus Professor of Visual Culture at the University of East Anglia, whose incisive analyses of works ranging from cathedrals and illuminated manuscripts to castles and seal matrices have greatly enriched the field of medieval art history. Inspired by Sandy’s longstanding commitment to situating such objects in their various political, social, and historiographical contexts, these twenty-three essays explore the entanglement of people, things, and ideas across time and space, providing a kaleidoscopic view of current research on the material cultures of medieval Britain (and beyond). With contributions by: Brian Ayers, Jessica Barker, Jessica Berenbeim, Sarah Cassell, Lloyd De Beer, H.F. Doherty, Eric Fernie, Jill A. Franklin (†), Agata A. Gomółka, Jack Hartnell, Peter Kidd, Robert Liddiard, Helen Lunnon, Julian Luxford, M.A. Michael, Rosie Chambers Mills-Helterbran, John Mitchell, Sarah Salih, Veronica Sekules, Matthew Sillence, Zachary Stewart, Nick Trend, and Nicholas Vincent.

Introduction
Publications by Thomas Alexander Heslop to 2022

Part I

The Anglo-Saxon Church of the Holy Trinity at Great Paxton, with Special Reference to Saint-Martin at Biesme
Eric Fernie

The Eleventh-Century Norwich Timber Church: A Reassessment within its Anglo-Scandinavian Context
Brian Ayers

Ailsi the Burgess, Stephen the Protomartyr, and the Rebuilding of Launceston Minster
H. F. Doherty

Castles and Courtliness: Elite Landscapes in the Long Twelfth Century
Robert Liddiard

Some Thoughts on the Architectural Use of Worked Flint in Fourteenth-Century East Anglia
Helen Lunnon

Part II

Death of the Virgin in Romanesque Wrocław
Agata A. Gomółka

The Foljambe Monument at All Saints, Bakewell, and the Alabaster Martyrdom of St Thomas Becket
Lloyd de Beer

A Queen’s Vision of Lancastrian Kingship: The Monument to Joan of Navarre and Henry IV at Canterbury Cathedral
Jessica Barker

Preaching and Teaching: The Transformation of the Parish Church in Fifteenth-Century East Anglia
John Mitchell

The Wheeled Angels of Wighton and Little Walsingham
Nich Trend

Material Presence, Eternal Memory: Donors and Chancel Screens in Late Medieval East Anglia
Sarah Cassell

Part III

The Diptych of King David and St Alban at the End of the ‘Markyate’ Psalter: What did Matthew Paris See?
Jill A. Franklin (†)

Empty Spaces in an English Twelfth-Century Psalter-Hours (Paris, BnF, MS lat. 10433)
Peter Kidd

From Monument to Manuscript: The Guthlac Roll and its Relationship to Stained Glass Re-examined
Rosie Chambers Mills-Helterban

From Westminster to Bromholm: Searching for the Artist of the Dublin Apocalypse
M. A. Michael

Part IV

Form and the ‘Gothic Charter’
Jessica Berenbeim

A Lively Crucifix at St Chad’s Church, Shrewsbury
Julian Luxford

John Lydgate’s Synaesthetics
Sarah Salih

Processions Real and Imagined: Place, Space, and Time in Roger Martin’s Account of Long Melford
Zachary Stewart

Part V

Materiality and Agency in Medieval Seals and Sealing Practices
Matthew Sillence

The Walmer Castle Address (1935) and the Cinque Port Seal Matrixes: Medieval Authority in Action
Nicholas Vincent

The UEA Casts
Jack Hartnell

Aping Humanity
Veronica Sekules