Method of peer review
double-blind undertaken by a specialist member of the Board or an external specialist
Keywords
architecture, art, Adriatic, Venice, Dubrovnik, Dalmatia, Istria, Friuli, Marche, Adriatic area, 15th- 18th ct.
Accepted Language(s):
English, Italian
Will be partially available as online content
The Archipelagus: Architectural Culture of the Early Modern Adriatic is an international peer-reviewed book series that publishes studies on the Early Modern architectural culture of the Adriatic rim (ca. 1400-1800). It promotes research highlighting the architectural production of the regions facing the Adriatic sea, an area particularly marked by mobility, migrations and capacity to absorb diverse stimuli. Its scope is to overcome the divisions of historiographies in different languages and traditional approaches based on the national or centre/periphery paradigm. The result will be an innovative and dynamic vision of the architectural production connecting the various faces of European culture.
The series will include results of the European Research Council project Architectural Culture of the Early Modern Eastern Adriatic (AdriArcCult) and its complementary project Architectural Culture of the Contact Regions in the Early Modern Adriatic (AdriContArch), funded within the FARE scheme of the Italian Ministry of University and Research.
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EDITORIAL BOARD
Donata Battilotti, University of Udine, Italy
Josip Belamarić, Institute for Art History, Zagreb/Split, Croatia
Bianca De Divitiis, University of Naples Federico II, Italy
Peter Farbaky, Budapest History Museum, Kiscell Museum, Hungary
Igor Fisković, Accademia Croata delle Scienze, Lettere ed Arti, Zagreb, Croatia
Patricia Fortini Brown, Princeton University, USA
Sabine Frommel, EPHE, Paris, France
Martina Frank, Ca’ Foscari University, Venice, Italy
Deborah Howard, University of Cambridge, UK
Susanne Kubersky-Piredda, : Bibliotheca Hertziana – Max Planck Institute for Art History, Rome, Germany/Italy
Elisabetta Molteni, Ca’ Foscari University, Venice, Italy
Laura Moretti, Univesity of St. Andrews, UK
Fabrizio Nevola, University of Exeter, UK
Angela Nuovo, State University Milan, Italy
Alina Payne, I Tatti, Harvard University, USA/Italy
Helena Seražin, Institute of art history, Ljubljana, Slovenia
Samo Štefanac, University of Ljubljana, Slovenia
Marina Vicelja, University of Rijeka, Croatia
Arnold Witte, University of Amsterdam, The Nedherlands
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AUTHOR INFORMATION
Main Language: English
Additional Language: ItalianDouble-blind undertaken by a specialist member of the Board or an external specialist
All volumes in this series are evaluated by an Editorial Board, strictly on academic grounds, based on reports prepared by referees who have been commissioned by virtue of their specialism in the appropriate field. The Board ensures that the screening is done independently and without conflicts of interest. The definitive texts supplied by authors are also subject to review by the Board before being approved for publication.
Brepols general stylesheet in English can be found at: https://www.brepols.net/permalink/stylesheet-full-refs
Submissions should be sent to:
Jasenka Gudelj, jasenka.gudelj@unive.it