Journal IKON, vol. 5

Ikon 5/2012

Sovereign and Iconography of Power

Marina Vicelja (ed)

  • Language(s):English
  • Publication Year:2012

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  • ISBN: 978-2-503-54347-5
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    TABLE OF CONTENTS

    Foreword

    Vladimir P. Goss, Political Iconography: Poster, Icon, Badge. An Introductory Note
    Dino Milinović, Writing History, Shaping Images in Later Roman Empire
    Davide Longhi, Regalità di Cristo e regalità di Teodorico nei mosaici di Sant’ Apollinare Nuovo a Ravenna
    Marianne Sághy, Veste Regia Indutus: Representations of the Emperor in the Vita Martini
    Galit Noga-Banai, Between Rome and Jerusalem: The Cross at the Center of a Herrscherbild Composition
    Barbara Baert, The Antependium of Nedstryn and the Exultation of the Cross
    Igor Fisković, Come identificare il re sul rilievo della iconografia regale del 11 secolo
    Devis Valenti, L’iconografia del potere imperiale: Carlo Magno come “Novus Constantinus”
    Xavier Barral i Altet, Edward rex: il contesto architettonico nella prima scena del ricamo di Bayeux
    Laura Cleaver, Kings Behaving Badly: Images of Rulers in Gerald of Wales’ Works on Ireland (c.1200)
    Marta Serrano Coll, Art as a Means of Legitimization in the Kingdom of Aragon: Coronation Problems and Their Artistic Echos During the Reigns of James I and Peter IV
    Olga Karaskova, Saint Bavon au service de l’héritage bourguignon: Philippe le Beau et sa propagande politique
    Branislav Cvetković, Sovereign Portraits at Mark’s Monastery Revisited
    Olga Vassilieva-Codognet, The Iconography of the Last World Emperor: A Study of a Late Fifteenth-Century Prophetic Image
    György E. Szönyi, Concepts and Representations of Sovereignty on the English Renaissance Emblematic Stage
    Steven Thiry, From Royal Representation to Scientific Aspiration: Charles V’s Columnar Device and the Dynamics of Appropriation (16th-18th Centuries)
    Pedro Paulo Palazzo, Architecture as Portrait: Exotism and the Royal Character of the Louvre (1380–1668)
    Lex Hermans, Dynastic Pride in the Farnese Theatre at Parma
    Dubravka Botica, Iconography of the Holy King Ladislaus in Zagreb Diocese in Late 17th and Early 18th Century: New Reading of the Past in Central European Context
    Milan Pelc, The Kaiser and His Spouses. Marriage and Political Propaganda on the Illustrated Broadsheets During the Reign of Leopold I (1658-1705): Examples from the Valvasor Collection in Zagreb
    Stefania Biancani, Quando la regina lascia la corona e va in giardino: alcune osservazioni sul ritratto della sovrana da Maria Antonietta ai Windsor e sull'eredita di Élisabeth Vigée Le Brun
    Robert Simonisek, The Monarchic Cult of the Emperor Franz Joseph I in the Slovenian Art and Literature
    Marko Spikic, Titus Novus: Emperor Francis I's Iconography of Power and Its Reception in Croatia and Dalmatia

    Prilozi - Prikazi - Dodatak / Contributions - Reviews - Appendix

    Maja Cepetic - Danko Dujmovic, St Peter at Novo Mesto Zelinsko: New Iconography for Claiming Political Continuit
    Isabel Escandell Proust, The Illuminated Codex Book of Franchises and Privileges of the Kingdom of Majorca (Arxiu del Regne de Mallorca, cod.1): Portraits of the King under His Subjects' Gaze
    Iva Brusic, Antonio Vinciguerra: The Ideological Initiator of the Venetian Appearance of the City of Krk
    Péter Bokody, Secularization and Realistic Turn in Italy: Antonio Fissiraga's Funerary Monument in Lodi
    Ivana Podnar - Marina Vicelja, Representation of Sovereign and Public Space in Zagreb
    Lisa Rafanelli, Noli me tangere: An Inquiry into the Visual Culture
    Marina Vicelja, Danse Macabre - Its Manifold Facet