Method of peer review
single-blind undertaken by a specialist member of the Board or an external specialist
Musicology, Worldwide, XVII-XXI, Music, Criticism, Religions, Protest, Ideology, Mass, Dictatorships, Press, Politics, War
This series publishes major musicological monographs on the relationship between music and politics from the XVII century to the present, as well as multi-authored, multilingual volumes on this topic. The series also focuses on the co-operation of music criticism, pamphlets and the press as a mechanism for the expression of cultural power.
Editorial Board: Philip Bohlman (Chicago University), Federico Celestini (Innsbruck University), Michel Duchesneau (Université de Montréal), Christoph Flamm (Lübeck University), Erik Levi (Royal Halloway, London University), Karen Painter (University of Minnesota), Gemma Pérez-Zalduondo (Granada University).
Luca Lévi Sala
Philip Bohlman (Chicago)
Federico Celestini (Innsbruck)
Michel Duchesneau (Montréal, QC)
Christoph Flamm (Lübeck)
Erik Levi (London)
Karen Painter (Minneapolis, MN)
Gemma Pérez Zalduondo (Granada)
Main language: English
Additional languages: French, German, Italian
All volumes in this series are evaluated by an Editorial Board, strictly on academic grounds, based on reports prepared by referees who have been commissioned by virtue of their specialism in the appropriate field. The Board ensures that the screening is done independently and without conflicts of interests. The definitive texts supplied by authors are also subject to review by the Board before being approved for publication.
Brepols general stylesheet in English can be found at: https://www.brepols.net/permalink/stylesheet-full-refs
Submissions should be sent to:
Luca Lévi Sala