ISSN 2736-7061
Method of peer review
double-blind undertaken by (a) specialist member(s) of the Board or (an) external specialist(s)
Keywords
Art history, Painting, Sculpture, Art theory, Dutch art, Dutch Republic, Drawing, Engraving, Graphic Arts, Architecture, Netherlands, 1550-1750
Accepted Language(s):
German, English, French, Italian, Dutch, Spanish
Detail from: Moses Striking the Rock, Abraham Bloemaert - The Metropolitan Museum of Art, New York
This peer-reviewed series explores different theoretical, practical and historical dimensions of the arts produced in the United Provinces between the end of the sixteenth and the beginning of the eighteenth century. Its aim is to offer new and original perspectives for the study of the Dutch ‘Golden Age’, to promote critical dialogue and rethink deeply ingrained ideas by means of examining significant artists, artworks, and topics with the use of methods from art history, the humanities, and social sciences. Conceived as a forum for ongoing research and open to early career and established scholars alike, this series hosts both collective works around a central theme as well as single-authored monographs.
Series Editor
Jan Blanc, University of Geneva
Scientific Advisory Committee
Christopher Atkins, Center for Netherlandish Art, Boston
Marisa Bass, Yale University
Reindert Falkenburg, New York University, Abu Dhabi
Karin Leonhard, University of Konstanz
Sophie Raux, University of Lyon
Angela Vanhaelen, McGill University, Montreal
Editorial Board
Susanne Bartels, University of Geneva / University of Amsterdam
Koenraad Jonckheere, Ghent University
Angela Jager, University of Geneva
Léonie Marquaille, University of Lausanne
Marije Osnabrugge, University of Geneva
Lucie Rochard, University of Geneva / University of Lille
Cécile Tainturier, Fondation Custodia, Paris
Tijana Zakula, Utrecht University
Main Languages: English, French
Additional Languages: German, Italian, Spanish, Dutch
Double-blind undertaken by a specialist member of the Board or an external specialist
All volumes in this series are evaluated by an Editiorial Board, strictly on academic grounds, based on reports prepared by referees who have been commissioned by virtue of their specialism in the appropriate field. The Board ensures that the screening is done indepently and without conflicts of interest. The definitive texts supplied by authors are also subject to review by the Board before being approved for publication.
Brepols general stylesheet in English can be found at: https://www.brepols.net/permalink/stylesheet-full-refs
Consignes éditoriales à appliquer pour la collection GOUDEN : https://www.brepols.net/permalink/directives-auteurs-fr
Submissions should be sent to:
Jan Blanc
jan.blanc@unige.ch
Les propositions de publication doivent être envoyées à :
Jan Blanc
jan.blanc@unige.ch
