Book Series Dissertationes et Monographiae, vol. 3

Velika Gospa près de Bale (Istrie)

II. L’église Velika Gospa près de Bale, vol. II

M. Jurković, J.-P. Caillet (eds)

  • Pages: 147 p.
  • Size:200 x 280 mm
  • Language(s):French
  • Publication Year:2011

  • € 49,00 EXCL. VAT RETAIL PRICE
  • ISBN: 978-953-6002-50-4
  • Paperback
  • Available


Review(s)

"This is a valuable output for a region that offers much more for eatly medieval studies." (Neil Christie, in: Medieval Archaeology, Vol. 57, December 2013, p. 348)

Summary

The Basilica of Sv. Marija Velika near Bale is, along with the early medieval Cathedral in Novi-grad, one of the most important Carolingian monuments in Istria. It is a part of a monastery complex, the remnants of which are still being excavated and researched. The church mani-fests traditional architectural forms: the origin of the three-aisled basilica with three-apsidal sanctuary with polygonal apses can be traced back to the time of Emperor Justinian, and the typology of capitals follows the famous 6th century examples from the basilica of Eufrasius in Porec, representing a variant of the type used in Constantinople and Ravenna. The hand of the stone-mason, «The Master of Bale capitals», was recognized also at some other Carol-ingian sites in Istria, and the products of his workshop were recognized as the first coherent pre-Romanesque sculptural opus in Istria, dated to the last quarter of the 8th century, to the time of important missionary activities in the areas under Carolingian rule.

reviewer Nikola Jakšic

TABLE OF CONTENTS

Introduction

I. L'ARCHITECTURE (P. Chevalier, I. Matejčić)

I.1. Description générale des structures dans l'espace occupé par l'église à trois nefs
I.2. Phase 0 : Les vestiges de structures antérieures à l'église à trois nefs
I.3. Phase I : l'église à trois nefs
I.4. Phase II : la construction dans l4angle sud-ouest : un probable clocher
I.5. Phase III : la contraction de l'église
I.6. Phase IV : la "restauration" de l'église en 1789

II. LA SCULPTURE (M. Jurković)

II.1. Introduction
II.1.1. Importance de l'emplacement des découvertes
II.1.2. Classement chronologique

II.2. Le décor architectural de la basilique
II.2.1. Les colonnades (bases, fûts, chapiteaux)
II.2.2. Les linteaux et les seuils
II.2.3. Les tailloirs et les impostes de meneaux
II.2.4. Les transennes

II.3. Les amnagements liturgiques des phases I et II/III
II.3.1. Le choeur liturgique
II.3.2. Les chancels

III. LE MAÎTRE D'OEUVRE ET L'ATELIER DE SCULPTEURS (M. Jurković)

III.1. Le "Maître des chapiteaux de Bale"
III.2. Le corpus d'églises attribuables au maître
III.3. Le chantier de construction du "Maître des chapiteaux de Bale"

IV. LE MUSÉE LAPIDAIRE DE BALE (I. Matejčić)

V. CATALOGUE DES ÉLÉMENTS SCULPTÉS ANTIQUES ET BAROQUES (P. Chevalier)

Liste des abréviations
Bibliographie (rédigée par I. Basić)
Résumé (en croate, rédigé par I. Basić)