Book Series ICONIC, vol. 3

The Topoi of Visuality

The Patterns of Seeing and Being Seen across Genres and Cultures

Afroditi Athanasopoulou, Stavroula Constantinou, George Paraskeviotis, Serafim Andreas (eds)

  • Pages: approx. 328 p.
  • Size:156 x 234 mm
  • Illustrations:3 col.
  • Language(s):English
  • Publication Year:2026


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  • ISBN: 978-2-503-62532-4
  • Hardback
  • Forthcoming (Oct/26)

Forthcoming
  • € 80,00 EXCL. VAT RETAIL PRICE


BIO

Afroditi Athanasopoulou is Associate Professor of Modern Greek Studies at the University of Cyprus. Her research interests include 19th- and 20th-century modern Greek literature, with particular emphasis on the work of Dionysios Solomos and Nikos Kazantzakis, as well as prosody and metrical analysis, literature teaching, and the relationship between literature and history. She is also interested in narratology and literary topoi. She has published the monograph History and Literature in Dialogue (Epikentro, 2016) and numerous articles in journals and edited volumes on authors and topics in modern Greek literature. In addition, she has extensive experience in editing scholarly volumes and has served as a translator (from Italian) and/or reader for critical editions of major works in modern Greek studies published by leading Greek publishers on the writings of Kornaros, Solomos, Kalvos, Sikelianos, Cavafy, and others.

Stavroula Constantinou is Professor of Medieval Studies at the University of Cyprus. She is the founder and director of the Centre for Medieval Arts & Rituals and the initiator and editor-in-chief of the diamond open-access journal Eventum: A Journal of Medieval Arts & Rituals. A former Humboldt Fellow, she has also received fellowships from Dumbarton Oaks and the Benaki Museum, and she coordinates major European-funded research projects and international networks. Her research interests include hagiography, the interaction between medieval arts and rituals, gender studies, and health humanities. Two of her most recent publications are Storyworlds in Short Narratives: Approaches to Late Antique and Early Byzantine Tales (Brill, 2025), co-edited with Andria Andreou, and Breastfeeding and Mothering in Antiquity and Early Byzantium (Routledge, 2024), co-edited with Aspasia Skouroumouni-Stavrinou.

George C. Paraskeviotis is an Assistant Professor of Latin Philology in the Department of Humanities at Democritus University of Thrace (Komotini, Greece). He studied Classical Philology at Democritus University of Thrace and earned an MA and PhD in Latin from the University of Leeds. He has taught Latin language and literature at the University of Leeds, the University of Patras, and the University of Cyprus. His research focuses on Latin pastoral poetry, Augustan poetry (particularly Vergil), Roman comedy, Roman satire, and the role of humour in Latin literature.

Andreas Serafim, Ph.D. (2013), is Visiting Professor at the Institute for the History of Ancient Civilisations, Northeast Normal University. A prolific scholar of classical rhetoric and culture, he has published five monographs and fifteen edited volumes. His research covers nonverbal behaviour, performance, and persuasion, with a particular focus on the intersections of gender, invective, and social identity. His most recent monograph is Body Behaviour and Identity Construction (Routledge, 2025).

Summary

Exploring the intertwined traditions of ekphrasis and locus amoenus from antiquity to modernity, The Topoi of Visuality brings together interdisciplinary perspectives to reveal how literature constructs acts of seeing and being seen across genres, cultures, and historical contexts, offering a new comparative framework for understanding the poetics and politics of visuality.

TABLE OF CONTENTS

INTRODUCTION
1. Ut Imago Verbum: Ekphrasis, Locus Amoenus and the Art of Visualisation in Intercultural Contexts and Text
Afroditi Athanasopoulou, Stavroula Constantinou, George C. Paraskeviotis, and Andreas Serafim

SECTION ONE
LOCUS NATURALIS: THE NATURAL ENVIRONMENT AS RHETORICAL AND EMOTIONAL SPACE
2. The Ekphrasis of Isolation and the Literary Topos of Timonlegende in Hellenistic Epigrams
Manolis Spanakis (Beijing Foreign Studies University)
3. Pliny’s Paradise: Ekphrasis and the Roman Luxury Villa as Locus Amoenus
Annette Giesecke (University of Delaware)
4. The Poetic and Rhetorical Elaboration of the Locus Amoenus in the Greek Renaissance Pastoral Tragicomedy Panoria by Georgios Chortatsis
Marina Rodosthenous-Balafa (University of Nicosia)

SECTION TWO
SEEING THROUGH WORDS: EKPHRASIS AND VISUAL IMAGINATION IN ROMAN COMEDY, LATIN ELEGY, AND LATE ANTIQUE EPIC
5. “No, It’s not What you See, but How you See it”: Ekphrasis on Roman Comic Stage
George C. Paraskeviotis (Democritus University of Thrace)
6. Ekphrastic Vignettes of Loci Amoeni in Tibullus 1
Johan Steenkamp (North-West University, South Africa)
7. The Locus Amoenus and the Open–Endedness of Epic Closure in Nonnus’ Dionysiaca
Sophia Papaioannou (National Kapodistrian University of Athens)

SECTION THREE
IMAGES OF SPACE: SEEING IN PAGAN AND CHRISTIAN CONTEXTS
8. A World Upside Down: The Places of Pirates in Roman Declamation
Mario Lentano (University of Siena)
9. Places of the Soul: The Locus Amoenus in Patristic Journeys of Life and Afterlife
Veronica Della Dora (Royal Holloway University of London)
10. Loci Amoeni or Loci Horridi? The Fluid Dimension of Space in Early Byzantine Tale Collections
Andria Andreou and Stavroula Constantinou (University of Cyprus)
11. Urban Splendour, Human Flaws: Procopius’ Vision of Imperial Spaces and Faces
Maria Konstantinidou (Democritus University of Thrace)

SECTION FOUR
REINVENTING THE ARCHETYPE: LATER DEVELOPMENTS IN GREEK LITERATURE
12. Locus Amoenus in the Early Modern Greek Literature of the Ionian Islands and Venice (16th–18th centuries)
Dimitris S. Georgakopoulos and Olga Gkiouleka (University of Ioannina)
13. The Locus Amoenus in the Oeuvre of Dionysios Solomos: Revisiting a Classical Topos with ‘The Eyes of the Soul’
Afroditi Athanasopoulou (University of Cyprus)
14. Angelos Sikelianos’ Reinvention of the Locus Amoenus
David Ricks (King’s College London)