Intra-European Trade in Images, 16th-18th Centuries
Neil De Marchi, Sophie Raux (eds)
- Pages: xiv + 326 p.
- Size:178 x 254 mm
- Illustrations:69 b/w, 12 tables b/w.
- Publication Year:2014
- € 110,00 EXCL. VAT RETAIL PRICE
- ISBN: 978-2-503-54808-1
- € 110,00 EXCL. VAT RETAIL PRICE
- ISBN: 978-2-503-54824-1
This book examines the volume, contexts and mechanisms of trade in visual images in Early Modern Europe
"The authors of this volume are to be praised for the wide range of newly uncovered source material, which has not only yielded an array of new factual details but also new analyses of those facts. Although well chosen, the concentration on major European trade centres would have benefitted from more geographical variation. The chapters provide detailed and nuanced analyses of economic strategies used by players on the art markets, while the comparisons between the art market and other markets are thought provoking and among the highlights of the volume. Overall, issues of taste and connoisseurship are eloquently integrated with strategies of trade and profit. Despite a slight emphasis on economic interests, the book lives up to the promise made in the Introduction: artworks are like other commodities, while they are also quite unique. The authors themselves have indeed demonstrated 'freedom of creation' and 'freedom of taste' by integrating in a new and fresh manner different types of sources and analyses." (Marlise Rijks, in: Historians of Netherlandish Art, http://www.hnanews.org/hna/bookreview/current/vl_Moving-Pictures0416.html)
Neil De Marchi is Professor of Economics at Duke University. His recent writing has been on the circumstances in which key players in contemporary art markets operate and the behaviours that stem from these constraints.
Sophie Raux is Associate Professor of Early Modern Art History at the University of Lille (France). Her research focuses mostly on the circulation and consumption of images and art objects in the Southern Low Countries and France.
This collection focuses overtly on the internal dynamics and links between art markets in the Early Modern period, but presupposes that art objects – here visual images – are objects of desire. During this period, however, desire changed; a great deal more of these objects came to be made for ordinary domestic consumption, including devotional purposes, than as tokens of the magnificence, piety, cultivation or learning of individual commissioners. Probably most still were commissioned, but to satisfy tastes that, though differentiated internationally, were widely shared within one country or region. Most too were commissioned at a distance, by agents, and were moved between maker and end-point distributor by specialised traders, many of whom – though far from all – were large-scale operators. The dominant focus of contributors here is therefore on the agents of this distance trade, its mechanisms and its impacts in terms of both satisfying and subtly shaping tastes, all at a range of prices. Measurement and mappings are aspects of this traffic. Focus was sharpened by concentrating on three questions: what is currently known about the number of images, whether in the form of paintings, prints, small sculptures or woven textiles, that circulated in early modern Europe? Through what channels and networks were they distributed? And what were the economic, social and institutional contexts?
Neil De Marchi & Sophie Raux
Quality, Risk and Uncertainty and the Market for Brussels Tapestry, 1450-1750
Neil De Marchi, Sandra van Ginhoven & Hans J. Van Miegroet
Supply-Demand Imbalance in the Antwerp Paintings Market, 1630-1680
The Pont Notre-Dame, Heart of the Picture Trade in France (Sixteenth-Eighteenth Centuries)
Circulation, Distribution and Consumption of Antwerp Paintings in the Markets of the Southern Netherlands and Northern France (1570-1680)
Claartje Rasterhoff & Filip Vermeylen
The Zeeland Connection: The Art Trade between the Northern and Southern Netherlands during the Seventeenth Century
From Flanders to Sicily: the Network of Flemish Dealers in Italy and the International (Art) Market in the Seventeenth Century
Going South: The Space for Flemish Art Dealers in Seventeenth-Century Northern Italy
Paris, Market of Europe: Russian and English Buyers on the Paris Market in the Second Half of the Eighteenth Century
Small Worlds. The Auction Economy in the Late Eighteenth-Century Paris Art Market
Bidding as a Guide to British Visual Preferences: a Late Eighteenth-Century Case Study
Towards an Integrated Market? The Austrian Netherlands and the Western European Trade in Pre-owned Paintings (1750-1800)