Frankish Manuscripts: The Seventh to the Tenth Century

Lawrence Nees

Pages:2 vols, 708 p.
Size:230 x 330 mm
Illustrations:29 b/w, 302 col.

Language(s):English
Publication Year:2022

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ISBN: 978-1-872501-25-3
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The catalogue includes some of the most famous early medieval manuscripts, decorated with luxury materials and exceptionally beautiful script, ornament and illustrations.

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Review(s)

“The catalogue includes some of the most famous early medieval manuscripts, decorated with luxury materials and exceptionally beautiful script, ornament and illustrations. In the spirit of a survey intended to show the range of Frankish illumination, it also includes manuscripts of ancient and contemporary poems, scientific works, commentaries, a cookbook, and one manuscript in a vernacular language. Together, these two volumes provide the most comprehensive survey of manuscript illumination in Francia, its large corpus of illustrations making the manuscripts more readily available for study not only by scholars of illumination but also by others interested in early medieval culture.” (Studi Medievali, LXIV/1, 2023, p. 558)

“(…) this two-volume set is a valuable new study of early medieval art, accessible and useful to experts and beginners alike. (…) This survey does much to fill the gap and is likely to become the new go-to publication on the subject.” (ANNA DOROFEEVA, in Early Medieval Europe, 32/1, 2023, p. 149)

“This is a very worthy entry to an important series that is an essential tool for anyone working on illuminated manuscripts.” (Judith Collard, in the Journal of the Australian Early Medieval Association, 2023, p. 231)

BIO

Lawrence Nees is Professor in the Department of Art History and H. Fletcher Brown Chair of Humanities at the University of Delaware. He is a Fellow of the Medieval Academy of America and Fellow of the Society of Antiquaries. His books include The Gundohinus Gospels (Medieval Academy of America, 1987), A Tainted Mantle: Hercules and the Classical Tradition at the Carolingian Court (University of Pennsylvania Press, 1991), Early Medieval Art (Oxford, 2002), and Perspectives on Early Islamic Art in Jerusalem (Brill, 2016), and the edited volume Approaches to Early-Medieval Art (Medieval Academy of America, 1998).

Summary

Frankish Manuscripts covers the earliest period in this series devoted to manuscripts illuminated in France. The two volumes explore those manuscripts that originate in the period before the kingdom of France emerged at the end of the tenth century. From the seventh to the tenth century most of modern France was ruled by kings of the Franks, from dynasties known as Merovingian and Carolingian, whose territories also included significant portions of other modern nations, especially the Low Countries, Germany, Switzerland and Austria.

The introductory essay in Volume I offers an overview of salient issues in this creative period, formative for later medieval manuscripts produced in France and elsewhere, in the former Frankish territories and beyond; the volume includes 341 photographs from the manuscripts in the catalogue, the great majority reproduced in colour. Volume II comprises a detailed catalogue of 100 manuscripts from this large region, each with a detailed description, an interpretive commentary focused on the decoration of the text as well as illustrations, and a survey of previous scholarly literature, including digital access when available. The catalogue includes some of the most famous early medieval manuscripts, decorated with luxury materials and exceptionally beautiful script, ornament and illustrations. In the spirit of a survey intended to show the range of Frankish illumination, it also includes manuscripts of ancient and contemporary poems, scientific works, commentaries, a cookbook, and one manuscript in a vernacular language. Together, these two volumes provide the most comprehensive survey of manuscript illumination in Francia, its large corpus of illustrations making the manuscripts more readily available for study not only by scholars of illumination but also by others interested in early medieval culture.

TABLE OF CONTENTS

Volume One
Map of Writing Centres and Sites Mentioned
Preface
List of Manuscripts Catalogued in Volume Two
Introduction
1 Frankish Manuscripts
2 Illumination and Illustration
3 Insular Manuscripts
4 Bibliography and Historiography
5 ‘Renaissance’ and Copying
6 Places of Production and ‘Schools’
7 Artists and Scribes
8 Description and Materials
The Illustrations
List of Illustrations
Bibliography

Volume Two
List of Manuscripts Catalogued
Catalogue
Index of Manuscripts Cited
General Index
List of Illustrations in Volume One

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