Method of peer review
double-blind undertaken by a specialist member of the Board or an external specialist
Materiality, Textual Sources, Visual Experience, Art-Forms, Art Production, Critical Studies, European Art, American Art, From Medieval to Contemporary Art
German, English, French, Italian
In recent years the notion of materiality has come to the fore in the art historical debate, redefining the boundaries of the discipline and increasing its interdisciplinary character. It has promoted new methodological approaches, and an inclusive interest for a broader range of cultural artefacts. The present series aims to contribute to this debate.
Main Language: English
Additional Languages: French, German, Italian
Double-blind undertaken by a specialist member of the Board or an external specialist
All volumes in this series are evaluated by an Editorial Board strictly on academic grounds, based on reports prepared by referees, who have been commissioned by virtue of their specialism in the appropriate field. The Board ensures that the screening is done independently and without conflicts of interest. The definitive texts supplied by authors are also subject to review by the Board before being approved for publication.
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