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Architectural Culture of the Early Modern Adriatic

Editor: Jasenka Gudelj
Publishing Manager: Johan Van der Beke

Method of peer review
double-blind undertaken by a specialist member of the Board or an external specialist

architecture, art, Adriatic, Venice, Dubrovnik, Dalmatia, Istria, Friuli, Marche, Adriatic area, 15th- 18th ct.

Accepted Language(s):
English, Italian

Will be partially available as online content


The Archipelagus: Architectural Culture of the Early Modern Adriatic is an international peer-reviewed book series that publishes studies on the Early Modern architectural culture of the Adriatic rim (ca. 1400-1800). It promotes research highlighting the architectural production of the regions facing the Adriatic sea, an area particularly marked by mobility, migrations and capacity to absorb diverse stimuli. Its scope is to overcome the divisions of historiographies in different languages and traditional approaches based on the national or centre/periphery paradigm. The result will be an innovative and dynamic vision of the architectural production connecting the various faces of European culture.
The series will include results of the European Research Council project Architectural Culture of the Early Modern Eastern Adriatic (AdriArcCult) and its complementary project Architectural Culture of the Contact Regions in the Early Modern Adriatic (AdriContArch), funded within the FARE scheme of the Italian Ministry of University and Research.


    Donata Battilotti, University of Udine, Italy
    Josip Belamarić, Institute for Art History, Zagreb/Split, Croatia
    Bianca De Divitiis, University of Naples Federico II, Italy
    Peter Farbaky, Budapest History Museum, Kiscell Museum, Hungary
    Igor Fisković, Accademia Croata delle Scienze, Lettere ed Arti, Zagreb, Croatia
    Patricia Fortini Brown, Princeton University, USA
    Sabine Frommel, EPHE, Paris, France
    Martina Frank, Ca’ Foscari University, Venice, Italy
    Deborah Howard, University of Cambridge, UK
    Susanne Kubersky-Piredda, : Bibliotheca Hertziana – Max Planck Institute for Art History, Rome, Germany/Italy
    Elisabetta Molteni, Ca’ Foscari University, Venice, Italy
    Laura Moretti, Univesity of St. Andrews, UK
    Fabrizio Nevola, University of Exeter, UK
    Angela Nuovo, State University Milan, Italy
    Alina Payne, I Tatti, Harvard University, USA/Italy
    Helena Seražin, Institute of art history, Ljubljana, Slovenia
    Samo Štefanac, University of Ljubljana, Slovenia
    Marina Vicelja, University of Rijeka, Croatia
    Arnold Witte, University of Amsterdam, The Nedherlands


    Main Language: English
    Additional Language: Italian

    Double-blind undertaken by a specialist member of the Board or an external specialist

    All volumes in this series are evaluated by an Editorial Board, strictly on academic grounds, based on reports prepared by referees who have been commissioned by virtue of their specialism in the appropriate field. The Board ensures that the screening is done independently and without conflicts of interest. The definitive texts supplied by authors are also subject to review by the Board before being approved for publication.

    Brepols general stylesheet in English can be found at:

    Submissions should be sent to:
    Jasenka Gudelj,