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Warwick Studies in Renaissance Thought and Culture

Editors: David Lines Ingrid De Smet Paul Botley
Publishing Manager: Guy Carney
Details
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ISSN 2983-9912

Method of peer review
single-blind undertaken by an external specialist (i.c. appointed by the Board)

Keywords
Renaissance art, language(s), literature, music, philosophy, science, medicine, religion, ca. 1300–1700, pan-European but also beyond

Accepted Language(s):
German, English, French, Italian

Accepts Contributions in Open Access

ABOUT

This series explores the cultural forms, intellectual and religious traditions, and institutions of learning that shaped the Renaissance world (1300–1700), always aiming for an interdisciplinary and, where possible and relevant, comparative and/or global approach. Potential topics include the histories and interactions of art, language(s), literature, music, philosophy, science and medicine, and religion. It publishes studies that present and sustain fresh views and categories: those, for instance, that recognize the co-existence in the period of Latin and the vernacular; that examine the relationship between Classical and Christian traditions; that evaluate the potential connections between social, cultural, and intellectual history; or that challenge established chronological boundaries.

Produced under the auspices of the Centre for the Study of the Renaissance (University of Warwick), this series welcomes proposals for monographs and thematically coherent essay collections (not text editions). Although the main language of publication is English, essay collections may also include essays in other western languages.

  • EDITORIAL BOARD

    Series Editors

    • David Lines, Paul Botley, Ingrid De Smet, University of Warwick
    Editorial Board

    • Joanne Anderson, Aberdeen University
    • Warren Boutcher, Queen Mary University
    • Sheldon Brammall, University of Birmingham
    • Philippe Canguilhem, CESR, Tours
    • Alessio Cotugno, Ca’ Foscari University, Venice
    • Simon Gilson, University of Oxford
    • Anthony Grafton, Princeton University
    • Earle Havens, Johns Hopkins University
    • Chiara Lastraioli, CESR, Tours
    • Sara Miglietti, Warburg Institute, University of London
    • Vivian Nutton, UCL, emeritus
    • Lawrence Principe, Johns Hopkins University
    • Eugenio Refini, New York University
    • Mara Wade, University of Illinois-Urbana Champaign

  • AUTHOR INFORMATION

    Main Language: English
    Additional Languages: French, German, Italian, Spanish

    Single-Blind undertaken by an external specialist (i.e. one appointed by the Board)

    All volumes in this series are evaluated by an Editorial Board, strictly on academic grounds, based on reports prepared by referees who have been commissioned by virtue of their specialism in the appropriate field. The Board ensures that the screening is done independently and without conflicts of interest. The definitive texts supplied by authors are also subject to review by the Board before being approved for publication

    English short references can be found at: https://www.brepols.net/permalink/stylesheet-short-refs

    Questions or potential submissions can be directed to Guy Carney (Publishing Manager, Guy.Carney@brepols.net) and/or David Lines (D.A.Lines@warwick.ac.uk).

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From the Domesday Book to Shakespeare’s Globe

The Legal and Political Heritage of Elizabethan Drama Dominique Goy-Blanquet
ISBN 978-2-503-60131-1 WSRTC 1 | 2023 € 120,00 EXCL.VAT  (Hardback) ISBN 978-2-503-60132-8 € 120,00 EXCL. VAT   (E-book)