Method of peer review
double-blind undertaken by (a) specialist member(s) of the Board or (an) external specialist(s)
Keywords
women, art, architecture, literature, illumination, material culture, cultural production, patronage, Europe and the Americas, From 10th to 21st centuries
Accepted Language(s):
English, Italian, Spanish
Will be completely available as online content
In the last few decades the study of women in the arts has largely increased in terms of scholars involved in research and investigation, with the reception of the outcomes especially acknowledged by museums which are dedicating part of their mission to organizing exhibitions and/or acquiring the works of women. One of the most important roles in disseminating the topic in the world of scholars has been played by the feminist movement that has been fostering women's studies in art history since the early 1970s. The aim of this series is to share and understand the state of the field, and to disseminate the output of recent research. It is devoted to women's studies in the arts broadly speaking: visual arts, architecture, literature, illumination and material culture. Proposals are welcome from early career and established scholars dealing with any aspect of women's cultural production from the Middle Ages to the present.
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AUTHOR INFORMATION
Main language: English
Additional language: Italian, Spanish
All volumes in this series are evaluated by an Editorial Board, strictly on academic grounds, based on reports prepared by referees who have been commissioned by virtue of their specialism in the appropriate field. The Board ensures that the screening is done independently and without conflicts of interest. The definitive texts supplied by authors are also subject to review by the Board before being approved for publicationEnglish short references can be found at: https://www.brepols.net/permalink/stylesheet-short-refs
Submissions should be sent to:
Adelina Modesti, amodesti@unimelb.edu.au
Consuelo Lollobrigida, clollobr@uark.edu