Method of peer review
single-blind undertaken by a specialist member of the Board or an external specialist
Trecento, patronage, architecture, Italy, painting, materiality, devotion
This new academic series explores the art of the long Trecento (ca. 1250-1450) in richly illustrated proceedings and monographic volumes. In this peer-reviewed series, established and emerging scholars will investigate topics including materiality, politics, patronage, gender, narrative, time and space, and devotion. Considering works in all media—stained glass and textiles, as well as sculpture, painting and architecture—the series will contribute to a new understanding of how art was created and experienced throughout Italy in the fourteenth-century.
Sarah S. Wilkins
Main Language: English
All volumes in this series are evaluated by an Editorial Board, strictly on academic grounds, based on reports prepared by referees who have been commissioned by virtue of their specialism in the appropriate field. The Board ensures that the screening is done independently and without conflicts of interest. The definitive texts supplied by authors are also subject to review by the Board before being approved for publication.
Brepols general stylesheet can be found at: https://www.brepols.net/permalink/stylesheet-full-refs