Method of peer review
double-blind undertaken by a specialist member of the Board or an external specialist
Keywords
Medieval Art, Modern Art, Illuminated Legal Manuscripts, Canon Law, Roman Law, Legal Iconography, Medieval History, Modern History, History of Law, 4th-17th Centuries
Accepted Language(s):
English, French, Italian, Spanish
This series, created by the international research team Ius illuminatum (https://iusilluminata.fcsh.unl.pt), is focused on the study of illustrations in medieval legal manuscripts and documents, and on the artistic representations of justice, judgements and judicial practices found in manuscripts, paintings, sculptures, and drawings from the 8th to the end of the 15th century, The interdisciplinary character of the Ius illuminatum research team encourages a variety of approaches and topics, and fosters the study, not only of style and iconography, but also of the historical and social contexts of production, and of the phenomena of social and cultural mobility that condition and define artistic creation.
Editorial Board
Amélia Aguiar Andrade (Instituto de Estudos Medievais - FCSH - Universidade NOVA de Lisboa);
Maria Alessandra Bilotta (Instituto de Estudos Medievais - FCSH - Universidade NOVA de Lisboa);
Maria João Branco (Instituto de Estudos Medievais - FCSH - Universidade NOVA de Lisboa);
Marco Cursi (Università degli Studi di Napoli Federico II);
Serge Dauchy (Centre d'Histoire Judiciaire [UMR8025], Université de Lille);
Vincent Debiais (EHESS-AHLoMA);
Teresa D’Urso (Università degli Studi della Campania Luigi Vanvitelli);
Laura Fernández Fernández (Universidad Complutense de Madrid);
Pierre-Yves Le Pogam (Musée du Louvre);
Georges Martyn (Universiteit Gent);
Miguel Metelo de Seixas (Instituto de Estudos Medievais - FCSH - Universidade NOVA de Lisboa);
Marc Smith (École nationale des chartes - PSL);
Alison Stones (University of Pittsburgh);
Cécile Voyer (Université de Poitiers)
Main Language: English, French
Additional Languages: Italian, Spanish
All volumes in this series are evaluated by an Editorial Board, strictly on academic grounds, based on reports prepared by referees who have been commissioned by virtue of their specialism in the appropriate field. The Board ensures that the screening is done independently and without conflicts of interest. The definitive texts supplied by authors are also subject to review by the Board before being approved for publication.
Brepols general stylesheet can be found at: https://www.brepols.net/permalink/stylesheet-full-refs
Submissions should be sent to:
Maria Alessandra Bilotta maria.bilotta@fcsh.unl.pt
