Convivium 7.2 (2020)

Editorial

Ivan Foletti & Zuzana Frantová — Exchanges and Interactions in a Time of Pandemic

Articles

Gil Fishhof — The Meanings of Byzantium. The Church of Abu-Ghosh (Emmaus) and the Meanings of Byzantine Pictorial Language in the Latin Kingdom of Jerusalem

Armin F. Bergmeier — Die Ausmalungen der Wiener Virgilkapelle. Die visuelle Kultur in Byzanz, im Kaukasus, in Syrien und Nordmesopotamien

Nikolaos Vryzidis — Between Three Worlds. The “Veneto-Saracenic” Candleholder of Docheiariou Monastery

Mzia Janjalia — Cross-Cultural Features in Medieval Art. The Case of the Early Fourteenth-Century Wall Paintings at the Monastery of the Holy Cross in Jerusalem

Matko Matija Marušić — Painted Crosses and the Trajectories of Medieval Image Captions. Evidence from Thirteenth-Century Zadar and Beyond

Ilaria Molteni & Irene Quadri — Trame di storia. Il mosaico di Otranto, le cronache universali e l’immagine della regalità

Vera-Simone Schulz — Artistic Exchanges Across Afro-Eurasia. A Global Taste for Metal Artifacts from Mamluk Syria and Egypt in Italy, West Africa, and China in the Fourteenth and Fifteenth Centuries

Chronicles & Debates

Ivan Foletti & Adrien Palladino — Roundtable. Medieval Art Today, Why?

Reviews

Michele Bacci — Mat Immerzeel, The Narrow Way to Heaven. Identity and Identities in the Art of Middle Eastern Christianity, Orientalia Lovaniensia Analecta 259, Leuven: Peeters 2017

Ivan Foletti — Francesca Dell’Acqua, Iconophilia. Politics, Religion, Preaching, and the Use of Images in Rome, c. 680–880, London / New York: Routledge 2020

Adrien Palladino — Armin F. Bergmeier, Visionserwartung. Visualisierung und Präsenzerfahrung des Göttlichen in der Spätantike, Wiesbaden: Reichert Verlag 2017