European Medieval Drama 23 (2019)

Foreword 9

Kissing, Complaining, and Handing Over Keys: Castile and its Royal Entries at the End of the Middle Ages

María Teresa Chicote Pompanin 11

Staging the Crusade against Islam: The Twelve Peers of France and European Popular Theatricality

Francesc Massip 31

‘The isle is full of noises …’: Music for the Yorkshire West Riding from Ripon to London

C. Edward McGee and Sylvia Thomas 71

Dramatic Elements in Liturgy: The Durham Processional

John McKinnell 101

Medieval Latin Performative Representation: Re-evaluating the State-of-the-Art

Nils Holger Petersen 115

They Got it Wrong: How the Misunderstanding of the Nature of the Creation to Judgment Manuscripts of the English Biblical Drama Distorted our Knowledge of the Genre

Alexandra F. Johnston 133

From Script to Playbook: John Rastell and the First Printed Interludes

Roberta Mullini 157

Thomas Chaundler’s Libellus de laudibus duarum civitatum: Playing with Ecclesiastical Court Procedure

Elza C. Tiner 175

The Birth of Printed Drama from Medieval Manuscript: A New Discovery in the Case of a Polish Dialogue Between Master Polycarpus and Death

Andrzej Dąbrówka 201

Reviews 225