Journal of the Alamire Foundation 8/2 - 2016

Intersecting Practices in the Production of Sacred Music c. 1400-c. 1650

Pages: 110 p.
Size:178 x 254 mm

Language(s):English
Publication Year:2016

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ISBN: 978-2-503-56611-5
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TABLE OF CONTENTS

Theme: Intersecting Practices in the Production of Sacred Music c. 1400-c. 1650

Guest Editor: Luisa Nardini

Introduction - Luisa Nardini

The ‘Mass-Motet Cycle’ Revisited - Paul Kolb

Erasmus and the Lying Mirror: More Thoughts on Imitatio and Mid Sixteenth-Century Chanson Masses - Cathy Ann Elias

Sacred Music Production and Circulation in Sixteenth-Century Palermo: The Inventories of Giovanni Santoro (1550) and Luis Ruiz (1595) - Ilaria Grippaudo

Did They Make It Up as They Went Along? Choral Rules in the Mexican Cathedral 1536‑85 - Jorge Adan Torres

Free Papers

Jacobus de Ispania and Liege - Rob C. Wegman

Research and Performance Practice Forum

Form and Experience in Fifteenth-Century Music: Problems, Fallacies, New Directions - Jesse Rodin