
Journal of the Alamire Foundation 6/2 - 2014
- Pages: 124 p.
- Size:178 x 254 mm
- Illustrations:8 col.
- Language(s):English
- Publication Year:2014
- € 35,00 EXCL. VAT RETAIL PRICE
- ISBN: 978-2-503-55078-7
- Paperback
- Available
- E-journal
- Available
The Journal of the Alamire Foundation provides a critical forum for the most recent and outstanding research on music in or related to the Low Countries up to the end of the Ancien Régime. It appears twice yearly. Each issue consists of three sections. The first focuses on a specific theme. The second contains free papers applying the full range of musicological approaches on any relevant topic. The third section fulfils the Foundation’s mission of promoting dialogue between the worlds of performance and scholarship by offering discussion of a recent performance event, production, edition, book, or issue. The Journal’s distinctive ingredients guarantee it a unique profile. Its emphasis on research of the highest quality aims to place it among the leading journals in its field.
The Journal of the Alamire Foundation is a Diamond Open Access-journal supported by the Alamire Foundation (https://alamirefoundation.org/nl/). There are no APCs or other author-facing fees.
Le Journal of the Alamire Foundation offre un forum critique sur les derniers projets et recherches sur la musique des Pays-Bas jusqu’à la fin de l’Ancien Régime. Chaque numéro est composé de trois sections. La première aborde un thème spécifique. La deuxième comprend des articles libres sur les différentes approches musicales appliquées aux thèmes évoqués. La troisième vise à favoriser le dialogue entre les spécialistes et propose des échanges d’idées sur un événement, une production, une édition, un livre ou une revue récente. L’objectif de la revue est d’atteindre un niveau de qualité très élevé et de faire partie des principaux périodiques en musicologie.
Theme
Mise-en-Page in Medieval and Early Modern Music Sources I
Guest Editors: Thomas Schmidt-Beste and Hanna Vorholt
Introduction (Thomas Schmidt-Beste and Hanna Vorholt)
Isolated Jottings? The Compilation, Preparation, and Use of Song Sources from Thirteenth-Century Britain (Helen Deeming)
Seeing and Signing: Interpreting Decoration in Italian Music Manuscripts c. 1500 (Tim Shephard)
Music Meant to Impress: Flemish Artists, European Politics, and Jena, Thüringer Universitäts- und Landesbibliothek, Ms. 4 (Elizabeth Morrison)
Free Papers
Henricus Isaac's Lost Missa Je ne fay plus Found? (Adam Knight Gilbert)
Research and Performance Practice Forum
From Treatise to Classroom: Teaching Fifteenth-Century Improvised Counterpoint (Niels Berentsen)
Contributors to this Issue
Plates