"... this book is an exceptionally well-documented study that reveals an enormous amount of scholarship." (Naomi Reed Kline, in: Speculum, 87, 2012, p. 536)
"Fra Mauro's Mappa Mundi and Fifteenth-Century Venice is a masterpiece and (...) for the first time makes this complex and very important source truly accessible to historians and other scholars." (Pamela O. Long, in Isis, 103:2, 2012, p. 398)
"Angelo Catteneo, in his magisterial account of the life and times of this important artifact, is convinced and convincing that Fra Mauro's map was embedded in his time and place, that it was more modern than medieval, that it was well appreciated and understood, and that it supplied an important step in the development of early modern cartography." (Lesley B. Cormack, in Aestimatio, 10, 2013)
"La brièveté de cette recensionne peut rendre justice de la richesse et de la profondeur du contenu, dont l’intérêt
dépasse de loin la seule mappemonde de Fra Mauro." (Christine Gadrat, dans: Le Moyen Âge, CXIX-2013, p. 465)
Fra Mauro’s mappamundi, drawn around 1450 in the monastery of San Michele on Murano in the lagoon of Venice, is among the most relevant compendia of knowledge of the Earth and the Cosmos of the fifteenth century. By examining literary, visual, textual and archival evidences, some long considered lost, this book places the map within the larger context of Venetian culture in the fifteenth century. It provides a detailed analysis of both its main sources (auctores veteres such as Pliny, Solinus, Ptolemy, and novi, like Albert the Great, Thomas Aquinas, Marco Polo and Niccolò de’ Conti) as well as of the composite networks of contemporary knowledge (scholasticism, humanism, monastic culture, as well as more technical skills such as marine cartography and mercantile practices), investigating the way they combine in the epistemological unity of the imago mundi.
More a work on intellectual history than cartography, the book constructs a complex set of frameworks within which to situate Fra Mauro’s monumental effort. These range from the cultural history of the reception of the world map from the fifteenth to the nineteenth centuries to the analysis of the material conditions under which map-makers such as Fra Mauro worked; from the history of ideas, especially of natural philosophy to the links between world representations and travel literature. It also addresses the Venetian reception of Ptolemy’s Geography, the interactions between Venetian art, theology and cosmography and the complexities of the Venetian vernacular.
The books develops a multi-tiered approach, in which different elements of the rich cultural context in which this world map was created, interact with each other, each casting a new light on the encyclopaedic work being analyzed.
Angelo Cattaneo, who holds a Ph.D. in History from the European University Institute in Florence, is a researcher at the Centro de História de Além-Mar of the Universidade Nova de Lisboa (Center for Overseas History of the New University of Lisbon). Currently he is studying the global circulation of knowledge, technology and material culture from the fifteenth to the seventeenth centuries, particularly cosmography, cartography and travel literature. He is the author of Mappa mundi 1457 (Rome, 2008). He also co-edited the volumes The Making of European Cartography (Florence, 2003) and, with Nathalie Bouloux and Patrick Gautier Dalché, Humanisme et découvertes géographiques (Médiévales 58, 2010).