Painting Restoration before "La Restauration"
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Book Series
Painting and Practice, vol. 2
The Westminster Retable. History, Technique, Conservation
Paul Binski, Ann Massing (eds)
- Pages: 464 p.
- Size:238 x 280 mm
- Language(s):English
- Publication Year:2009
- € 135,00 EXCL. VAT RETAIL PRICE
- ISBN: 978-1-905375-28-8
- Hardback
- Available
Review(s)
"For art historians of the Middle Ages and conservators, this book will remain an exemplary opus in its own right." (Richard Marks, in The Art Newspaper 214, June 2010)
"This substantial and sumptuously illustrated volume brings together a wealth of up-to-date art-historical and technical information concerning the celebrated thirteenth-century Westminster retable following its recent painstaking conservation at the Hamilton Kerr Institute in Cambridge." (Simon Watney, in: The Burlington Magazine, May 2010, CLII, p. 327)
Summary
The late 13th-century Westminster Retable is rightly
celebrated as one of the most beautiful and enigmatic panel
paintings to have survived from medieval Europe. Its history is not
without tragedy. It was made in the Westminster Abbey, one of the
most prestigious Gothic churches of the thirteenth century, itself
a treasure-house of medieval wall and panel painting; then, after
the Dissolution of the Monasteries, it was demoted rapidly to use
as part of a large cupboard; its ruination in the eighteenth
century just pre-dated the Gothic Revival and its rediscovery and
rescue. Since then, it has intrigued commentators because of its
extraordinary technical mastery, its value as an ornamental
resource for study and, more recently, as an important if
fragmentary link in the history of painting in England and France
in the thirteenth century. There is every reason to believe that
its standing as an artwork was apparent even in the Middle Ages,
and that, in short, it may be seen as one of the central monuments
of Anglo-French Gothic painting.