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Series are listed here which exclusively or predominantly deal
with historical, literary or general subjects within the medieval, Renaissance
and Early Modern time periods. Please click on a series to get a detailed description or use the
scrollbars to scan all available series.
(Please check also the Corpus
Christianorum Series)
Series on Medieval and Renaissance Studies, Series M-Z
| Editorial responsibility: Centre for
Medieval Studies, University of Sydney |
| Making
the Middle Ages is a series of monographs, and occasionally of
collections, which aims to open up the rapidly growing and relatively
newly recognised field of ‘medievalism’ – the post-medieval
construction of the Middle Ages in scholarship and the arts – to a
readership of academics, graduate students and, in the case of some
volumes, undergraduates or the general reader. The series will be devoted
to scholarship in and the cultural influence of the Middle Ages on
England, mainland Europe, and North America from the sixteenth century to
the present day. It focuses on two perspectives of medievalism: (i) Mediävistiek,
the origins and history of medieval studies, both inside and outside the
academy; and (ii) Mediävismus,
the creation and recreation of the Middle Ages in post-medieval art,
history, literature and popular culture. |
| Editorial responsibility: H. Buschhausen,
J. Szövérffy, I. Vaslef |
| A series primarily devoted to editions or
classified bibliographies of hymns (Latin and Greek) and liturgical
sequences, religious and secular Latin lyrics and minor poetic forms of
the Middle Ages, to passion plays and includes general studies of medieval
Latin literature. |
| Editorial responsibility:
Pontifical Institute of Mediaeval Studies (Toronto) |
| A series of inexpensive translations ideally
suited to classroom use. |
| Editorial responsibility:
Centre for Medieval Studies, University of Hull (contact: Adrian Tudor) |
| A
dedicated forum for comparative work on northern European medieval
literature, history and society and their significance in the modern
world. It aims to promote dialogue between anglophone and continental
medievalists, and to address the need for transcultural perspectives on
Europe’s medieval origins in a way that is distinctive both in scope and
academic orientation. The focus is on the medieval texts and cultures of
the British Isles, northern and central mainland Europe, and Scandinavia.
The chronological range of the series will be from c. 800 AD to c. 1600
AD. |
| Editorial responsibility: R. Ellis, R.
Tixier |
| Volumes in the series represent a selection of
papers delivered at the international conference on the theory and
practice of translation in the Middle Ages. |
| Editorial responsibility:
School of Historical Studies, Monash University (contact: Constant Mews) |
| This is a venue for work in one of the most
exciting and fast-growing fields in medieval studies, the history of
women’s contributions to western culture. The series title contains a
deliberate and productive ambiguity. Since women’s literary culture is a
history of reading, hearing, and patronage, as well as of composition, the
series considers women’s texts as texts for and about, as well as by,
medieval women. The series publishes scholarly monographs and
tightly-themed essay collections as well as editions and translations of
texts by, for and about women. |
| Editorial responsibility: A. Paravicini
Bagliani and F. Santi (eds.) |
|
| Editorial responsibility: P. Gautier
Dalché |
| This series intends to make a complete work of
significant authors accessible. Each title consists of two parts: a
biographical commentary and texts. The texts are presented in an annotated
translation. |
| Editorial responsibility: O.
Quenardel |
|
| Editorial responsibility: Centre National
de Recherches d'Histoire Religieuse |
| A series started in the 1880s. Organised by
modernday Belgian provinces |
| Editorial responsibility:
Pontifical Institute of Mediaeval Studies (Toronto) |
| A series of volumes of collected articles,
typically fiteen to twenty per volume, on key topics in ancient and
medieval philosophy, interdisciplinary topics in medieval studies or
themes in Christian and/or Islamic religions of church history. |
| Editorial responsibility:
|
| A series of reference books on different
subjects. |
| Editorial responsibility:
R. L. Falkenburg |
|
A variety of historical disciplines have begun to
re-evaluate the concept of self and identity in the early-modern period
(1350-1650). Rather than thinking of self to be a discrete, static entity,
we now understand it to be formed and reformed in a continual, dynamic
process. Proteus provides a much-needed forum for scholars from a
wide variety of disciplines currently exploring the issue of the self. The
series publishes contributions that address the mediality and
instrumentality of text, image, ritual and habitat as interconnected
mechanisms of self-formation. |
| Editorial responsibility:
Encyclopédie Bénédictine |
| A series concentrating on monastic history and
related subjects. |
| Editorial responsibility:
Pontifical Institute of Mediaeval Studies (Toronto) |
|
| Editorial responsibility:
Commission Royale des Anciennes Lios et Ordonnances de Belgique |
|
Publications in this area are grouped as Coutumes
/ Costumen of a particular town, principality or duchy and comprise,
to date, the following series and volumes:
Principauté de Stavelot / Vorstendom
Stavelot (CDPS): 1 volume; Seigneurie de Malines / Heerlijkheid Mechelen
(CDSM):
2 volumes; Ville de Maestricht / Stad Maastricht (CDVM): 1 volume; Ville
de Tournai / Stad Doornik (CDVT): 1 volume; Namur et Philippeville / Namen
en Philippeville (CDNEP): 5 volumes; Duché de Limbourg et Pays
d'Outre-Meuse / Hertogdom Limburg en de Landen van Overmaas (CDDLOM): 2
volumes; Pays de Liège / Land van Luik (CDPDL): 2 volumes; Pays et
Duché de Brabant / Land en Hertogdom Brabant (CDPDB): 2 volumes.
A group of series concentrates on Coutumes
du Pays et Comté de Flandre (CDPDF) and comprises Privilèges et Chartes
de Franchises de la Flandre / Privilegebrieven en Vrijheidscharters van
Vlaanderen (PCFF): 2 volumes; and the following districts, Quartier
d'Ypres / Kwartier Ieper: 2 volumes; Quartier de Furnes / Kwartier
Veurne: 1 volume; Quartier de Gand / Kwartier Gent: 4 volumes
numbered 2, 9, 11 and 12
|
| Editorial responsibility:
Commission Royale des Anciennes Lois et Ordonnances de Belgique |
|
Publications in this area are grouped as the
following series and volumes:
Grand Conseil et Parlement à Malines /
Grote Raad en Parlement te Mechelen (GCPM)
|
| Editorial responsibility:
Commission Royale des Anciennes Lois et Ordonnances de Belgique |
|
Publications in this area are grouped as the
following series and volumes:
Listes Chronologiques des Édits et
ordonnances des Pays-Bas (LCEOPB): 4 volumes covering the periods 1506-1555 and
three for the period 1700-1794; Recueil des Ordonnances de la
Principauté de Liège / Verzameling van de Verordeningen van het
Vorstendom Luik (ROPL): 3 volumes for the periods 974-1620; Recueil des
Ordonnances des Pays-Bas / Verzameling van de Verordeningen der
Nederlanden (ROPB): 20 volumes in three numerical sequences; and the Recueil
des Ordonnances du Duché de Bouillon / Verzameling van de Verordeningen
van het Hertogdom Bouillon (RODB): 1 volume.
|
| Editorial responsibility:
Commission Royale des Anciennes Lois et Ordonnances de Belgique |
| Existing publications in this area relate to the
Parlement de Paris / Parlement van Parijs (PDP): 2 volumes; and Cours
Ecclésiastiques / Kerkelijke Recthbanken (CE): 5 volumes |
| Editorial responsibility:
The Old English
Dictionary project, University of Toronto (contact: A. di Paolo Healy) |
| A series of ancillary publications relating to
Old English studies based on the Old English Dictionary project of the
University of Toronto. |
| Editorial responsibility: North American
Association of Medieval Latin (contact:
Michael W. Herren) |
|
| Editorial responsibility: Commission
Royale d'Histoire |
| A complete list of publications is available on
request. |
| Editorial responsibility: Records of
Early English Drama, Victoria University (Toronto); joint publication with
the University of Toronto Press |
| The
aim of REED is to find, transcribe and publish external evidence of
dramatic, ceremonial and minstrel activity in Great Britain before 1642.
The project was founded in 1976 to provide complete, accurate and uniform
editions of all surviving records evidence for dramatic, ceremonial and
minstrel activity. By the mid-1970s it was clear that scholarship in
medieval and early Tudor drama demanded reliable evidence for the playing
conditions of community or civic drama before the establishment of
professional theatres in London on the 1570s. It is of interest not only
to scholars of Jacobean, Elizabethan, Renaissance and medieval drama, but
to social and urban historians, scholars of early music, dance and popular
custom, researchers into civic ceremonies, folklorists and historians of
early sport. |
| Editorial responsibility: O. Mazal |
|
| Editorial responsibility: Center for
Medieval and Renaissance Studies, UCLA |
| The Repertorium Columbianum is a
collection of contemporary sources relating to Columbus’s four voyages,
and the interpenetration of hitherto separate worlds that resulted from
them. This multivolume series will provide in readily accessible form the
basic documents that are the starting-point for research into this pivotal
moment in world history; they form the indispensable tools for all
scholarly enquiry into the encounter. The series provides accurate
editions of the essential texts in their original languages for the use of
specialists, whilst at the same time making them available to students and
scholars in related fields through parallel translations into modern
English. The Repertorium’s scope is generally limited to sources
from the period between Columbus’s first voyage and the Spanish conquest
of Mexico in 1519-1521. |
| Editorial responsibility: J. Leclercq, C. H. Talbot, H. Rochais |
|
| Editorial responsibility:
Institut de Recherche et d'Histoire des Textes (CNRS, Paris) |
| This series offers editions of medieval texts
(chronicles, letters and juridical texts) in their original language
(Latin, Greek, Old French, etc;.) with, in most cases, a translation in
modern French. |
| Editorial responsibility: Patrice
Sicard et Dominique Poirel |
|
The series Sous la règle de saint Augustin is intended to publish texts, medieval and early modern as well as contemporary,
which originated from the Augustinian regular canons: mystical treatises, biographies, memoirs, travel stories, poetical works,
etc. The nucleus of this series is the complete work of Hugh of St. Victor. Texts are offered in a new French translation,
occasionally together with the Latin original when it is not easily
accessible. |
| Editorial responsibility: Institut de Recherche et d'Histoire des Textes (Paris) and the Constantijn Huygens
Instituut (The Hague) - contacts: Louis Holtz,
Olga Weijers |
| This collection is a joint publication of the Institut de Recherche et d'Histoire des Textes (Paris) and the Constantijn Huygens
Instituut (The Hague) and is part of the joint research programme on the theme of "The Faculty of Arts at the Medieval
Universities".
Intellectual mechanisms constitute the object of study of this collection. The aim is to bring out the different components that
have accompanied the radical transformation in the way of thinking and of conceiving the world one sees in the medieval
university, particularly in the Faculty of Arts.
The choice of the Faculty of Arts is not arbitrary. It was there that the student acquired the basic methods, the ways of
thinking and analysing, and the modes of composition that prepared him for the composition of his own academic writings. |
| Editorial responsibility: Ruusbroec
Genootschap (Antwerp) |
| Editions of the works of Jan van Ruusbroec, in
Latin and Middle Dutch. Also available within the Corpus
Christianorum Continuatio Mediaevalis series (no. sequence =
101-110). The editions are based on the 1552 Latin translation of L.
Surius. |
| Editorial responsibility:
Pontifical Institute of Mediaeval Studies (Toronto) |
| Scholarly studies and critical editions of texts
relating to the European Middle Ages. |
| Editorial responsibility:
Centre for Medieval Studies, University of York (contact: Elizabeth Tyler) |
| This
series focuses on Western Europe in the Early Middle Ages and covers work
in the areas of history, literature, archaeology, art history and
religious studies. The series aims to bring together current scholarship
on early medieval Britain with scholarship on western mainland Europe and
Viking Scandinavia, more traditionally studied separately or in terms of
the interaction of discrete cultures and areas. Recently, there has been a
move away from looking at the early medieval period in terms of those
regions which eventually developed inot modern European nation states; for
example the North Sea has emerged as an important cultural area and a
number of very productive studies have focused on smaller regions such as
Brittany, the area around Metz, and various kingdoms of Anglo-Saxon
England. |
| Editorial responsibility:
Société des Bollandistes (Brussels) |
|
| Editorial responsibility:
Pontifical Institute of Mediaeval Studies (Toronto) |
| A series of annotated or critical
bibliographies, catalogues of manuscripts, documents or archaeological
artefacts and editions of records, itemised documents such as registers or
calendars, and collections of short literary pieces. These handbooks often
include series of plates, microfiches or diskettes as supplements. |
| Editorial responsibility: P. Bourgain |
|
This collection is intended to make accessible the personalities of significant
authors via their intellectual environment and their works. Each work consists
of two parts: the biographical commentary and the texts.
The biographical commentaries contain three elements: a
historical view concerning the life of the author, a bibliographical
view situating the author in relationship to the work, and a literary
view on the work itself. The texts are presented in an annotated
translation. The series is relevant both to students and specialists.
|
| Editorial responsibility: FIDEM |
|
| Editorial responsibility: Institut
d'Etudes médiévales, Université Catholique de Louvain |
|
| Editorial responsibility: Cetedoc
(Louvain-la-Neuve) |
| The verbal concordances and indexes to
the Itinerarium mentis in Deum, Breviloquium and Collationes
de septem donis spiritus sancti. |
| Editorial responsibility: Académie Royale de Belgique |
|
A thesaurus referring to all the works of authors born in the territory corresponding to present-day Belgium, those that lived
there most of their lives, and to all anonymous works that were probably written in Belgium.
|
| Editorial responsibility:
Pontifical Institute of Mediaeval Studies (Toronto) |
| A series comprising a range of inexpensive
editions of medieval Latin texts, based on a single scribal source,
suitable for university classes. |
| Editorial responsibility: Institut
d'Etudes médiévales, Université Catholique de Louvain |
The Typologie is based on the
premise that any historical issue is illuminated by sources and research
is necessarily founded on rigorous examination of these sources. Without
an understanding of the specific characteristics of each type of source
the scholar can be led astray. The Typology aims to define these
characteristics and the rules for the interpretation of each type of
source. All sources (documentary, visual, archaeological, liteary) have
been classified in an overall scheme. Each genre of source is studied in
turn. First, the origin and evolution of each genre is surveyed. Second,
specific rules for criticism are laid down so that historians may
exploit the source fully and correctly whether in terms of events and
institutions, the economy and society, the history of ideas or cultural
activities.
|
|
Editorial responsibility: Pionierproject
Verschriftelijking, Universiteit Utrecht (contact: Marco Mostert)
|
|
One
of the most important developments in European history took place in
communication. A transition is clearly visible from illiterate societies
to societies in which most members are active users of the written word.
This complex process, which started in Antiquity and is still not
complete, gained momentum during the Middle Ages. Many disciplines have
recently made contributions to our understanding of the history of
medieval communication: codicologists and historians of the book,
anthropologists and psychologists, but also philosophers, sociologists,
literary historians, classicists and theologians, economists, art
historians and historians. Much has become known, but much more awaits
discovery. Since 1996 the Dutch ‘Pionierproject Verschriftelijking’
has been researching the uses of the written word in medieval Europe,
particularly the early Middle Ages, and has convened the international
Editorial Board to oversee this series. The series is a forum for
publications on the history of non-verbal, oral and written
communication in the Middle Ages and is a fruitful home for studying the
tensions between oral and literate modes of thought.
For
further information on thePionierproject see their own website:
http://www2.hum.uu.nl/Solis/ogc/medievalliteracy/USML.htm
|
| Editorial responsibility:
Koninklijke Academie van België |
|
| Editorial responsibility: R. Muchembled |
| A series on "violence" in different timeperiods. |
| Editorial responsibility: Centre for Medieval and Renaissance
Studies, Queen Mary and Westfield College, University of London |
|
WPMRS publishes in the form of editions,
monographs, collections of essays and Festschriften works of broad
interest on society and culture in the medieval and early Renaissance
period. The focus is particularly on texts in their European context, in
a wide range of fields which will change or expand the ways in which
scholars understand Medieval and early Renaissance studies.
Volumes are published in English and are approximately 300 pages
in length, for a readership of postgraduate students and scholars. |
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