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The following series are part of the Series on Art History.
Please click on a series to get a detailed description or use the scrollbars
to scan all available series.
(Please also check our Harvey Miller
Series)
| Editorial responsibility: M.
Ainsworth, E. König |
| Ars Nova: Studies in Late Medieval and
Renaissance Northern Painting and Illumination is a series of studies
largely on fifteenth-century material in this area of study. |
| Editorial responsibility: |
| Published with Alzieu, this series is an inventory of apocryphal motifs
from Maurienne and Tarantaise in the Savoie. |
| Editorial responsibility:
Royal Museums of Fine Arts of Belgium |
| This is a five-volume scholarly catalogue of the rich collection of
fifteenth-century
southern Netherlandish paintings in the Royal Museums of Fine Arts of
Belgium in Brussels. Each work is the subject of a thorough analysis
covering technical, historical, iconographical and stylistic aspects. The
catalogue contains colour reproductions of all of the paintings as well as
other visual documentation from laboratory investigations, photographs of
related works and diagrams of the original frames. |
| Editorial responsibility:
Centre International de Recherche: Primitifs Flamands |
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| Editorial responsibility:
Centre International de Recherche: Primitifs Flamands |
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This series of lavishly illustrated volumes explores all the
Flemish Primitives, proceeding from one or several public
collections (museums, churches, etc), from a particular town, region
or country.
The paintings are examined systematically, both in their
art-historical aspects and with regard to laboratory research. The
series are the result of multidisciplinary co-operation between
Belgian and foreign art historians, historians and specialists from
the Royal Institute for Art Heritage of Belgium including
physicists, chemists, and photographers. Iconographers,
musicologists, botanists, and zoologists have been regularly
consulted. |
| Editorial responsibility:
International Center of Medieval Art |
| Inventory volumes for Romanesque sculptural
materials preserved in the USA. |
| Editorial responsibility: Institut
Historique Belge de Rome |
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| Editorial responsibility:
Koninklijke Academie van België |
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| Editorial responsibility:
M. Van Vaeck, John Manning and Karel Porteman |
| The series title takes the term used by the
Jesuit theoreticain Jacob Maesen (1606-1681) for the emblem and a
diversity of other word-image collections. This series embraces all such
bi-medial forms. They are important artefacts of the cultural life of the
Renaissance and Baroque, where they reflect a range of interests, from war
to lvoe, religion to philosophy and politics, sciences to the occult,
social mores to encyclopaedic knowledge, and from serious speculation to
entertainment. The series concentrates on all forms of multi-media verbal
and visual communication: emblem, impresa, illustrated pamphlets, theare
and festivities, art and architecture and so on. |
| Editorial responsibility: M.W. Ainsworth |
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| Editorial responsibility: J. Marrow, B.
Rosasco and N. Muller |
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| Editorial responsibility:
K. Van der Stighelen, H. Vlieghe |
| This series is devoted to Flemish painting and
drawing, c. 1550-1700. The dominant artists of this fruitful period were
Bruegel, Rubens and Van Dyck. Yet considering the attention that has been
accorded artistic developments of the time in other European countries,
especially Holland and Italy, Flemish art remains relatively underexposed. |
| Editorial responsibility:
F. Lyna |
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| Editorial responsibility:
Centre International de Recherche: Primitifs Flamands |
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This series aims at focusing attention on those fifteenth- and
early sixteenth-century Flemish paintings which have been
studied very little because they have been preserved in less
accessible churches, local museums, and private collections. The
repertory also treats paintings of foreign masters who where
influenced by the Flemish Primitives. |
| Editorial responsibility:
C. Dumortier |
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| Editorial responsibility:
Koninklijke Academie van België |
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