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How Do Images Work?
Strategies of Visual Communication in Medieval Art

C. Beier, T. Juckes, A. Pinkus (eds.)
approx. IV+244 p., 31 b/w ill. + 140 colour ill., 216 x 280 mm, 2021
ISBN: 978-2-503-59587-0
Languages: English, German, Italian
The publication is in production.The publication is in production. (01/2022)
Retail price: EUR 100,00 excl. tax
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This anthology examines the workings of historical imagery in fourteen essays, offering fresh perspectives from leading researchers on a wide range of medieval and early modern artworks in a similarly wide range of functional contexts.
How did historical images work and interact with their beholders and users? Drawing on the results of an international conference held in Vienna in 2018, this volume offers new perspectives on a central question for contemporary art history. The fourteen authors approach working imagery from the medieval and early modern periods in terms of its production, usage, and reception. They address wide-ranging media—architecture, sculpture, painting, metalwork, stained glass—in similarly wide-ranging contexts: from monumental installations in the most public zones of urban churches to exquisite devotional objects and illuminated books reserved for more exclusive settings. While including research from West European and American institutions, the project also engages with the distinctive scholarly traditions of Eastern Europe and Israel. In all these ways, it reflects the interests of the dedicatee Michael Viktor Schwarz, whose introductory interview lays out the parameters of the subject.

Christine Beier is senior scientist at the Department of Art History at Vienna University. Her research focuses on medieval and early modern book illumination.

Tim Juckes works at the Department of Art History at Vienna University. He is the main researcher in a project funded by the Austrian Science Fund (FWF) on visual media and spatial contexts in late-medieval Central Europe.

Assaf Pinkus is professor of art history at Tel Aviv University. He works on spectatorship, response, and somaticism with a focus on the visual media of late medieval Europe.

Interest Classification:
Fine Arts & Performing Arts
Art History (general)
Medieval art history
Medieval & Renaissance History (c.400-1500)

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