This book examines the largely untold story of Bartolomeo Sacchi's ('Platina', 1421-1481) Vitae pontificum (Lives of the Popes) and its fortuna, with a detailed assessment of the role of censorship in the text's reception.
When Bartolomeo Sacchi ('Platina',
1421-1481) wrote his Vitae pontificum (Lives of the
Popes) and presented it to Pope Sixtus IV in 1475, he surely
could not have imagined how influential it would become over the
centuries. His was the first papal history composed as a humanist
Latin narrative and, as such, marked a distinct breakthrough in
relation to the Liber pontificalis, the standard medieval
chronicle of the papacy. Whatever Platina's intentions for the
book, it soon came to be regarded as the official history of the
Roman pontiffs. After the editio princeps of Venice 1479,
updated and extended editions continued to be produced until late
in the eighteenth century.
The largely untold story of Platina's Lives of the Popes and
its fortuna is the focus of this book. The Lives were
particularly popular because of Platina's frank criticisms of papal
behaviour which did not live up to his humanist moral values. He
reminded the popes that they were mere human beings and urged them
not to indulge in luxury and nepotism. Catholics, whether or not
they agreed with such indictments, read the Lives eagerly,
while Protestants naturally appreciated Platina's fault-finding
approach towards the papacy. The role which censorship played in
the reception of the Lives was previously unknown. This book
examines the censorship process (1587-1592) in detail, including a
critical edition of the assessments and corrections by English and
Italian censors newly uncovered in the Vatican and in
Milan.
"B[auer]. esamina con acutezza gli interventi sulle
Vitae [...]. Il libro, che reca un importante contributo
alla conoscenza del Platina e dei meccanismi che regolavano la
censura, si chiude sulla straodinaria furtuna europea delle
Vitae, tradotte tra il 1519 e il 1685 in cinque
lingue." (G. Fragnito in: Quellen und Forschungen aus
Italienischen Archiven und Bibliotheken, vol. 87, 2007,
584)
"In this impeccably researched and presented book, Stefan Bauer
has produced a scholarly tool essential for investigating the
intersection of the late-Renaissance ideas and practices with those
of the Catholic Reformation." (Donald J. Kagay, in: The
Sixteenth Century Journal, XXXIX/3 (2008), p. 780)