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Studies and Texts (ST 205)
L. Nardini
Interlacing Traditions: Neo-Gregorian Chant Propers in Beneventan Manuscripts

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XXXII+444 p., 7 b/w ill. + 10 colour ill., 150 x 230 mm, 2017
ISBN: 978-0-88844-205-5
Languages: English
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Retail price: EUR 105,00 excl. tax
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This book is the first comprehensive study of the neo-Gregorian chants for the Proper of the Mass that circulated in the Beneventan region between the tenth and the thirteenth centuries. This extensive repertory demonstrates in extraordinary ways the struggles of local cantors to mediate between conformity to a standardized liturgy pursued by the Carolingians and the papacy, and a desire to maintain elements of the local musical culture.

Some neo-Gregorian chants were locally composed, while others were imported from other regions. Both imported and local chants reveal the stylistic preferences of local cantors and the interconnections between chant composition and saints’ cults and thereby shed light on issues related to the oldest musical repertories of medieval Europe, such as the Byzantine, Roman, Ambrosian, and Beneventan chants. Ultimately, they lead us into a deeper understanding of the musical culture of medieval southern Italy, a territory that, at different times, had been the theatre of incursions and invasions by many peoples (Lombards, Byzantines, Muslims, Normans, Franks, and Romans) and that was also the home to several flourishing Jewish communities.
Interest Classification:
Book History, Manuscript Studies & Palaeography
Palaeography, Scripts & Manuscript Studies
Roman scripts & Western manuscripts
Religion (including History of Religion) & Theology
Christian devotion & forms of religious expression
Liturgy, sacraments & worship
Hymn, chants & song in church
Christian Church : Institutional History
Western Church (general)
Fine Arts & Performing Arts
History of Music
Medieval & Renaissance (up to c. 1600)
Medieval & Renaissance History (c.400-1500)
Medieval European history (400-1500) : local & regional history
Italian Peninsula

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