Based on a radical reassessment of the historical documentation and a profound investigation of Malvasia’s art criticism, these volumes offer the most thorough treatment to date of the artist’s work.
La richesse de cet ensemble d’études réside dans les perspectives nouvelles apportées à la discipline de l’histoire du livre.
This book represents the first systematic study of annotation symbols used in the Latin West between c. 400 and c. 900.