This volume brings together twelve essays from an international collection of scholars that collectively explore the formation and expression of individual and collective identities within pre-modern Iberian context.

This book is the first comprehensive publication on Scottish portraiture from the period 1644 to 1714, with an emphasis on the painters David Scougall (1625-1685), and his son John Scougall (1657-1737).

'abbaye de Marchiennes au miroir de ses chartes (milieu VIIe-début XIIIe)