This volume studies the relationship between jazz and cinema.

Felipe Pereda reconstructs the history of religious art in Spain between two crucial dates in the “politics of the image” enforced by the “Reyes Católicos”: 1478 and 1501.

This book, useful for both scholars and students of Late Antique Gaul, is a survey of 600 plus Latin letters written during the Merovingian era (ca. 500-750) by bishops and other clergy, highly-placed laymen, women, popes, and royalty.