This volume brings together contributions by scholars interested in making and the role of the maker to discuss what new anthropological and sociological approaches might add to our understanding of ancient craft production and its value to the makers and their societies.
This book is the first comprehensive publication on Scottish portraiture from the period 1644 to 1714, with an emphasis on the painters David Scougall (1625-1685), and his son John Scougall (1657-1737).
Cet ouvrage s’articule autour de l’économie du vêtement et de la culture vestimentaire médiévales.