The North Atlantic World: Cold, tough, dark; or tranquil, pure, untamed and magical – as visualised from ancient times until today.

The first detailed survey of the representation of music in the art of Renaissance Italy, opening up new vistas within the social and culture history of Italian music and art in the fifteenth and early sixteenth centuries.

This book examines the heretofore-unstudied role of the French province of Burgundy in the ‘traditional’ era of the crusades, from 1095–c.1220.