The comparative historical investigation of imperialism through the lens of collecting practices, museum archetypes and museums proper, helps shape our understanding of contemporary aesthetics and diversity management as well as helps identify what is imperial about our own approaches to material culture.

This clearly-argued work sheds new light on the liturgy associated with the 364-day calendar used at Qumran and its foundation in early myths.

An up-to-date and richly illustrated synthesis of the archaeology of the 3rd millennium BC in the Upper Tigris region of Northern Iraq and South-eastern Turkey.