Felipe Pereda reconstructs the history of religious art in Spain between two crucial dates in the “politics of the image” enforced by the “Reyes Católicos”: 1478 and 1501.

Contextual analysis of the representation of women and Jews in the fourteenth-century manuscripts of the German law book known as the Sachsenspiegel.

This book investigates how, from the seventeenth century onward, philosophers, philologists and historians described various world ‘cultures’, colonized the past (or national pasts), and thus invented Europe’s philosophical nature.