The first detailed survey of the representation of music in the art of Renaissance Italy, opening up new vistas within the social and culture history of Italian music and art in the fifteenth and early sixteenth centuries.

Douze réflexions issues du colloque de Boulogne (mars 2017) sur la façon dont les hommes installés près de l’eau «faisaient communauté» en Europe au début du Moyen Âge.

This book examines the heretofore-unstudied role of the French province of Burgundy in the ‘traditional’ era of the crusades, from 1095–c.1220.