The papers gathered here offer new and critical insights into the changing nature of historiography and the political agendas that Old Norse myths are made to serve, as well as shedding new light on the way in which ‘myths’ are conceptualized.

This book re-examines the career of one socially and intellectually ambitious artist, Andrea Mantegna (1431-1506) and his intellectual network, to re-open questions of the locations of humanism, the notion of “humanist art,” or painting as a form of discourse that far from being ancillary to poetry, history, or rhetoric, served as a model for all three.

This volume inventorises the whole historiographical production of Late Antiquity.

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