Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors.

This clearly-argued work sheds new light on the liturgy associated with the 364-day calendar used at Qumran and its foundation in early myths.

This new series, in association with the Society for European Festivals Research, builds on the current surge in interest in the circumstances of European Festivals — their political, religious, social, economic and cultural implications as well as the detailed analysis of their performance (including ephemeral architecture, scenography, scripts, music and soundscape, dance, costumes, processions and fireworks) in both indoor and outdoor locations.