If there is one work, in all of Saint-Saëns’ musical output that supremely captures the disposition so typical of the composer, it is Le Carnaval des animaux.

The 21st century is a new era for interfaith dialogue. Readers are invited to witness the meetings of faith leaders from across the globe through the eyes of acclaimed artist Nicola Green, accompanied by challenging reflections from leading scholars.

This new study sheds important light on the development of female authorship in the sixteenth century, through a close analysis of the female patronage and manuscript production leading up to the Renaissance in late medieval France.