This new academic series explores the art of the long Trecento (ca. 1250-1450) in richly illustrated proceedings and monographic volumes. In this peer-reviewed series, established and emerging scholars will investigate topics including materiality, politics, patronage, gender, narrative, time and space, and devotion. Considering works in all media—stained glass and textiles, as well as sculpture, painting and architecture—the series will contribute to a new understanding of how art was created and experienced throughout Italy in the fourteenth-century.