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The Art and Archaeology of Lusignan and Venetian Cyprus (1192-1571)
Recent Research and New Discoveries

M. Olympios, M. Parani (eds.)
approx. 340 p., 217 b/w ill. + 30 colour ill., 5 b/w tables, 216 x 280 mm
ISBN: 978-2-503-57803-3
Languages: English, French
The publication is in production.The publication is in production. (06/2018)
Retail price: approx. EUR 110,00 excl. tax
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A new collection of essays on current research in the art and archaeology of late medieval and early modern Cyprus.

From a Byzantine province to an independent Latin kingdom under the Lusignan dynasty (1192/7 - 1474/89) and a colonial outpost of the Venetian maritime empire (1474/89 - 1571), the island of Cyprus, at the eastern end of the Mediterranean, is blessed with a rich and diverse medieval cultural heritage. Its monumental art and its material culture - architecture, fresco and icon painting, woodcarving, metalwork, glazed ceramics, and so on - exist at the crossroads of several artistic traditions often thought to represent mutually exclusive visual languages, such as the late medieval Gothic and Byzantine styles (in their respective variants), the local art of the Levant, and the classicizing mode of the Italian Renaissance. It is precisely this seemingly "composite" nature of medieval Cypriot artistic production that, over the years, has both divided and united scholars attempting to match styles and forms to the patronage of the various religious, ethnic, and linguistic groups (Latins, Greeks, Syrians, Armenians, and others) making up the island's complex social fabric.

The seventeen essays in this volume offer a snapshot of the most recent scholarship on the art, archaeology, and material culture of Cyprus under Latin rule. Established and emerging art historians and archaeologists, both trained Byzantinists and specialists of European medieval art, come together to re-appraise the field in the light of current research, put forward new evidence from fresh archival, archaeological, or archaeometric research, and propose novel interpretations destined to blaze exciting new pathways to future study of this fascinating body of material.

Michalis Olympios is Assistant Professor in the History of Western Art at the Department of History and Archaeology of the University of Cyprus. He has published on Gothic architecture and sculpture in Lusignan Cyprus and other areas of the Latin East. He is the principal investigator on an international research project seeking to unravel the architectural, ecclesiastical, and social history of Nicosia's medieval Greek cathedral (the so-called Bedestan).

Maria Parani is Associate Professor of Byzantine and Post-Byzantine Art and Archaeology at the Department of History and Archaeology of the University of Cyprus. She has published on the art and material culture of Byzantine and Lusignan Cyprus and is currently coordinating an interdisciplinary research project, whose main objective is the study of the thirteenth-century murals of the church of the Transfiguration at Sotera (Famagusta District) and the exploration of their historical and cultural context.

Table of Contents

Michalis Olympios and Maria Parani
Introduction: Towards a More Holistic Appreciation of the Art, Archaeology, and Material Culture of Lusignan and Venetian Cyprus

I. Rethinking Interpretative Frameworks for the Art of Lusignan Cyprus

Michele Bacci
The Art of Lusignan Cyprus and the Christian East: Some Thoughts on Historiography and Methodology

Anthi A. Andronikou
A Panel in Search of Identity: The Madonna di Andria between Apulia and Cyprus

II. Context Matters: New Insights into Cypriot Monumental Ensembles

Dimitrios Minasidis
Deciphering the Mural Decoration of the Royal Chapel at Pyrga: Three Elements of Theological and Royal Symbolism in Lusignan Cyprus

Barbara McNulty
Fresco at Kaminaria: Landscape as Allegory

III. Bau und Kult: Architecture and Cult in the Long Perspective

Nikolas Bakirtzis
Revisiting the Monastic Legacy of Saint Sozomenos near Potamia

Thomas Kaffenberger
A Rural Church for an Urban Elite? Thoughts on the Unfinished Sixteenth-Century Church of Agios Sozomenos

Max Ritter
Famagusta and Its Environs in the Venetian Period: The Foundation of the Monastery of Ayia Napa and the Origin of Its Fountain

Guido Petras
A Stone Iconostasis in a Multi-Confessional Sanctuary in Lusignan and Venetian Cyprus? An Art-historical Approach to the Cave Church in Ayia Napa

IV. In Search of the Lost Urban Landscapes of Lusignan and Venetian Cyprus

Hesperia Iliadou and Philippe Trélat
La représentation picturale d’une architecture disparue: quelques sites chypriotes au début de la période vénitienne illustrés dans un manuscrit du XVe siècle

Nasso Chrysochou
The Investigation and Comprehension of a Medieval Building in the Walled City of Nicosia

V. Facets of Lusignan and Venetian Cyprus through the Lens of Archaeology

Fryni Hadjichristofi
New Light on the Topography of Nicosia: The “Archbishopric” Excavation

Stylianos Perdikis
Avli, Tillyria: An Unidentified Medieval Edifice

Athanasios K. Vionis, Maria Dikomitou-Eliadou, Maria Roumpou, Nick Kalogeropoulos, and Vassilis Kilikoglou
Stirring Pots on Fire: Medieval Technology, Diet, and Daily Life in Cyprus

VI. Art Production and Consumption in Venetian Cyprus

Stella Frigerio-Zeniou
Quelques réflexions et quelques portes en vue d’une nouvelle approche des iconostases chypriotes du XVIe siècle

Elena Poyiadji-Richter
Metalwork Products Destined for Cyprus? The Sixteenth-Century Dishes in the Leventis Municipal Museum of Nicosia

Georgios E. Markou
Negotiating Identity and Status: The gentiluomini’s Silverware in Venetian Cyprus

Tassos Papacostas
Renaissance Portrait Medals for Eminent Cypriots: An Untold yet Telling Tale

The Authors

Interest Classification:
Fine Arts & Performing Arts
Art History (general)
Medieval art history

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