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Emotion and Medieval Textual Media

M. C. Flannery (ed.)
approx. 315 p., 14 b/w ill. + 1 colour ill., 156 x 234 mm, 2018
ISBN: 978-2-503-57781-4
Languages: English
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Text is one of the most valuable and plentiful sources of information available to scholars interested in medieval emotion. The medieval world may have vanished centuries ago, and its human subjects with it, but a wealth of textual traces remains: sermons, romances, poems, plays, treatises, songs, inscriptions, graffiti, and much more. But how is emotion communicated and shaped by these different textual forms? That is the question at the heart of this collection of essays, which aims to open up our sense of what texts can contribute to the history of emotions by considering the variety of ways that texts can function as vehicles — media — for emotion.

The essays in this volume examine how literary and dramatic texts, chant, manuscript annotations, and material inscriptions mediate emotion — how they bring it about, communicate it, process it, and shape it via forms that act on various senses. Ranging between the eighth and fifteenth centuries and comprising contributions from scholars of musicology, Old English and Old Norse studies, material culture, Middle English literature, drama, and manuscript studies, the essays contained in this volume serve as a window onto the complex relationship between emotions and different textual forms.

Table of Contents

Acknowledgements

List of Abbreviations

List of Illustrations

Introduction: Medieval Emotion and Texts as/in Media — MARY C. FLANNERY

Moved by Music: Problems in Approaching Emotional Expression in Gregorian Chant — DANIEL J. DICENSO

Swelling in Anger: Somatic Descriptors in Old English and Old Norse Literature — SARAH BACCIANTI

Lancelot in the Friend Zone: Strategies for Offering and Limiting Affection in the Stanzaic Morte Arthur — AMY BROWN

Adapting Romance: Emotional Interpolations, Cognitive Evaluation, and Interreligious Empathy — MARCEL ELIAS

‘Think of me, I think of you. Love me, I love you’: The Role of Runic Sticks in the Formation and Maintenance of Emotional Bonds in Medieval Norway (c.1000-1300) — KIMBERLEY-JOY KNIGHT

Spiritual Comfort and Reasonable Feeling: Annotating The Chastising of God’s Children in Oxford, Bodleian Library, MS Rawlinson C 57 — MARLEEN CRÉ

The Materiality of Metaphors: Why the Affectus Needs Shoes in The Doctrine of the Hert — SARAH BRAZIL

Guided Emotional Response in A Talkyng of the Love of God and The Tretyse of Love — DIANA DENISSEN

Playing for Emotion: Middle English Abraham and Isaac Plays — CHARLOTTE STEENBRUGGE

‘The Weder is Went’: Emotional Form in a Middle English Carol — SEETA CHAGANTI

Afterword — RITA COPELAND

Index

Interest Classification:
Medieval & Modern (Indo-European) Languages & Literatures
Comparative & cultural studies through literature
Cultural studies (general & theoretical)
Medieval literature (general comparative)
Medieval & Renaissance History (c.400-1500)
Medieval European history (400-1500) : main subdisciplines
Cultural & intellectual history

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