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Journal of the Alamire Foundation 9/1 - 2017
Motet Cycles (c. 1470-c. 1510): Compositional Design, Performance, and Cultural Context

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185 p., 7 colour ill., 178 x 254 mm, 2017
ISBN: 978-2-503-57182-9
Languages: English
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Table of Contents

Theme: Motet Cycles (c. 1470-c. 1510): Compositional Design, Performance, and Cultural Context

Guest Editor: Agnese Pavanello

Introduction - Agnese Pavanello

'Audire missam non est verba missae intelligere...': The Low Mass and the Motetti missales in Sforza Milan - Daniele V. Filippi

The Elevation as Liturgical Climax in Gesture and Sound: Milanese Elevation Motets in Context - Agnese Pavanello

'Aut propter devotionem, aut propter sonorositatem': Compositional Design of Late Fifteenth-Century Elevation Motets in Perspective - Felix Diergarten

Free Papers

Nuns, Polyphony, and a Liégeois Cantor: New Light on the Las Huelgas 'Solmization Song' - David Catalunya

The Leuven Chansonnier: A New Source for Mid Fifteenth-Century Franco-Flemish Polyphonic Song - David J. Burn

Research and Performance Practice Forum

Images and Chants for a Digital Model of the Cosmos - Margot E. Fassler

Contributors to this issue

Plates

Interest Classification:
Fine Arts & Performing Arts
Musicology
Medieval & Renaissance (up to c. 1600)
Performing practice, performers & platforms

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