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Ritus et Artes (RITUS 9)

The Idea of the Gothic Cathedral
Interdisciplinary Perspectives on the Meanings of the Medieval Edifice in the Modern Period

S. Glaser (ed.)
approx. 380 p., 68 b/w ill., 156 x 234 mm, 2017
ISBN: 978-2-503-56813-3
Languages: English, French
HardbackHardback
The publication is in production.The publication is in production. (02/2018)
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The essays in this book focus on various social, political, cultural, and aesthetic meanings ascribed to Gothic cathedrals in Europe in the post-medieval period.

Central to many medieval ritual traditions both sacred and secular, the Gothic cathedral holds a privileged place within the European cultural imagination and experience. Due to the burgeoning historical interest in the medieval past, in connection with the medieval revival in literature, visual arts, and architecture that began in the late seventeenth century and culminated in the nineteenth, the Gothic cathedral took centre stage in numerous ideological discourses. These discourses imposed contemporary political and aesthetic connotations upon the cathedral that were often far removed from its original meaning and ritual use.

This volume presents interdisciplinary perspectives on the resignification of the Gothic cathedral in the post-medieval period. Its contributors, literary scholars and historians of art and architecture, investigate the dynamics of national and cultural movements that turned Gothic cathedrals into symbols of the modern nation-state, highlight the political uses of the edifice in literature and the arts, and underscore the importance of subjectivity in literary and visual representations of Gothic architecture. Contributing to scholarship in historiography, cultural history, intermedial and interdisciplinary studies, as well as traditional disciplines, the volume resonates with wider perspectives, especially relating to the reuse of artefacts to serve particular ideological ends.

Table of Contents

Introduction: The Medieval Edifice in the Modern Period — STEPHANIE A. GLASER

Part I — The Cathedral and the Nation

The Moorish-Gothic Cathedral: Invention, Reality, or Weapon? — MATILDE MATEO

Acting Medieval, Thinking Modern, Feeling German — MICHAEL J. LEWIS

L’Histoire d’une cathédrale: Viollet-le-Duc’s Nationalist Pedagogy — ELIZABETH EMERY

The Gothic Cathedral and Historiographies of Space — KEVIN D. MURPHY

Part II — The Cathedral between Art and Politics

The Anarchist Cathedral — MAYLIS CURIE

L’Imaginaire de la cathédrale à l’épreuve de la Grande Guerre — JOËLLE PRUNGNAUD

Church, Nation, and ‘The Stones of France’ — RONALD R. BERNIER

Part III — The Cathedral in the Arts

Patterns of Behaviour  Architectural Representation in the Romantic Period — KLAUS NIEHR

Frozen Music and Symphonies in Stone. Gothic Architecture and the Musical Analogy: Intersecting Trajectories in German and French Thought from the Eighteenth through the Nineteenth Centuries — STEPHANIE A. GLASER

Délires opiomanes et gothicomanes de Thomas De Quincey à Wilfred Sätty — JEAN-MICHEL LENIAUD

The Cathedral as Time Machine: Art, Architecture, and Religion — RICHARD UTZ

Interest Classification:
Medieval & Modern (Indo-European) Languages & Literatures
Comparative & cultural studies through literature
Medievalism
Fine Arts & Performing Arts
Architecture
Medieval architecture
Modern History (1501 to the present)
Early modern history (1501-1800) : main subdisciplines
Cultural & intellectual history

This publication is also distributed by: ISD, Marston
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