Skip Navigation Links

The Early Keyboard Sonata in Italy and Beyond

R. H. Stewart-MacDonald (ed.)
Add to basket ->
XXI+334 p., 141 b/w ill., 210 x 260 mm, 2016
ISBN: 978-2-503-56801-0
Languages: English, Italian
HardbackHardback
The publication is available.The publication is available.
Retail price: EUR 100,00 excl. tax
How to order?
The volume takes as its subject the birth of the keyboard sonata in Italy and its subsequent efflorescence
"The Early Keyboard Sonata in Italy and Beyond" takes as its subject the birth of the keyboard sonata in Italy and its subsequent efflorescence. With a time-frame spanning the mid-seventeenth and late eighteenth centuries the book proceeds outwards from the contributions of Italians Lodovico Giustini (Pistoia), Francesco Geminiani (Lucca, Naples, London), Baldassare Galuppi (Venice), Giovanni Battista Sammartini (Milan) and Domenico Scarlatti, with new insights on the sonata outputs of Germans George Frideric Handel, Johann Ulrich Haffner and Johann Christian Bach. The book employs a mixed methodology, with source studies alternating with analytical investigations, considerations of performance practice and organology. Central themes include the initial coalescence of the keyboard sonata as a genre and the problems of reconciling diversified usages of the term ‘sonata’; the keyboard sonata’s dissemination through contemporary published sources, accessed by an international community of amateur and professional players; the ambiguous distinction, in this period, between composition and arrangement; and the relative status of the keyboard sonata and neighbouring genres. Several chapters will consider the stylistic developments undergone by the keyboard sonata in the middle and later eighteenth century. This will lead to critical re-examination of traditional distinctions between ‘Baroque’ ‘Galant’ and ‘Classical’ keyboard idioms, and most importantly, reconsideration of the traditionally narrated evolution of ‘sonata form’ from the ‘mid-century’ sonata to the ‘high Classical’ of synthesis of Haydn, Mozart and Beethoven, that understates or otherwise distorts the significance of earlier Italian models. One of the book’s overriding aims is to support and build on recent attempts to counteract the traditional view of an eighteenth century subdivided between ‘Baroque’ and ‘Classical’ eras.
Rohan H. Stewart-MacDonald studied at St Catharine’s College, Cambridge between 1993 and 2001. Since completing the Ph.D. he has specialised in British music of the eighteenth and nineteenth centuries, publishing the book "New Perspectives on the Keyboard Sonatas of Muzio Clementi" in 2006. In 2012, with Roberto Illiano, he co-edited and contributed to the multi-author "Jan Ladislav Dussek: A Bohemian Composer «en voyage» through Europe". He is an honorary member of the Centro Studi Opera Omnia Luigi Boccherini.
Interest Classification:
Fine Arts & Performing Arts
Musicology
History of Music

This publication is also distributed by: ISD
Privacy Policy - Terms and Conditions © 2017 Brepols Publishers NV/SA - All Rights Reserved