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European Medieval Drama 20 (2016)

VII+207 p., 5 b/w ill., 156 x 234 mm, 2017
ISBN: 978-2-503-56587-3
Languages: English
PaperbackPaperback
The publication is in production.The publication is in production. (12/2017)
Retail price: EUR 78,00 excl. tax
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Table of Contents

Humour as a Teaching Tool in Jean Gerson’s (1363–1429) Morality Plays

YELENA MAZOUR-MATUSEVICH              

Apollo, Apollo! An Ambiguous Call for Sophistication in Antwerp, 1561   

FEMKE KRAMER              

Kaiser, Reich und Antichrist: Die politische Dimension der deutschsprachigen, vorreformatorischen Antichristspiele               

SILVAN WAGNER            

Charlemagne, Triumphal Entries, and Palm Sunday Processions: How Wrong Was Kantorowicz?

MAX HARRIS     

The Bal des Ardents (1393), Thomas of Woodstock (1397) and Richard II (1400): Three Medieval Conspiracy Rumours, William Shakespeare, John Marston, and the Lost ‘(Scottish) Silver Mine’ Play (1608).    

M. A. KATRITZKY             

Wer nicht tanzt zur rechten Zeit… Tanzdarstellungen in deutschen Zehnjungfrauenspielen         

CORA DIETL       

Interludes as Stages of Faith      

PETER HAPPÉ    

Is Imitation Always Imitation? The Case of the Visitatio Sepulchri              

SARAH BRAZIL  

Review: Les pères du théâtre médiéval. Examen critique de la constitution d’un savoir académique. Sous la direction de Marie Bouhaïk-Gironès, Véronique Dominguez et Jelle Koopmans

KLEMENTYNA AURA GLIŃSKA

 

Interest Classification:
Religion (including History of Religion) & Theology
Christian devotion & forms of religious expression
Fine Arts & Performing Arts
Recreational & performing arts
Medieval & early drama (to c. 1650)

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