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Journal of the Alamire Foundation 6/2 - 2014

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124 p., 8 colour ill., 178 x 254 mm, 2014
ISBN: 978-2-503-55078-7
Languages: English
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Retail price: EUR 35,00 excl. tax
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Table of Contents

Mise-en-Page in Medieval and Early Modern Music Sources I
Guest Editors: Thomas Schmidt-Beste and Hanna Vorholt
Introduction (Thomas Schmidt-Beste and Hanna Vorholt)
Isolated Jottings? The Compilation, Preparation, and Use of Song Sources from Thirteenth-Century Britain (Helen Deeming)
Seeing and Signing: Interpreting Decoration in Italian Music Manuscripts c. 1500 (Tim Shephard)
Music Meant to Impress: Flemish Artists, European Politics, and Jena, Thüringer Universitäts- und Landesbibliothek, Ms. 4 (Elizabeth Morrison)

Free Papers
Henricus Isaac's Lost Missa Je ne fay plus Found? (Adam Knight Gilbert)

Research and Performance Practice Forum
From Treatise to Classroom: Teaching Fifteenth-Century Improvised Counterpoint (Niels Berentsen)

Contributors to this Issue


Interest Classification:
Fine Arts & Performing Arts
Medieval & Renaissance (up to c. 1600)
Performing practice, performers & platforms

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