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Family Ties
Art Production and Kinship Patterns in the Early Modern Low Countries

K. Brosens, L. Kelchtermans, K. Van der Stighelen (eds.)
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239 p., 150 b/w ill., 210 x 297 mm, 2012
ISBN: 978-2-503-54227-0
Languages: English
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Retail price: EUR 70,00 excl. tax
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"(...) mit informativen, teilweise sehr anregenden Beiträgen bestückte Band (...)" (Almut Pollmer-Schmidt, in Sehepunkte 13 (2013), Nr. 12 [20.01.2016], http://www.sehepunkte.de/2013/12/21824.html)

Table of Contents:

Hessel Miedema, Kinship and Network in Karel van Mander; Axel Marx, Why Social Network Analysis Might Be Relevant for Art Historians: a Management Perspective; Koenraad Brosens, Can Tapestry Research Benefit from Economic Sociology and Social Network Analysis?; Neil De Marchi and Hans J. Van Miegroet, Uncertainty, Family Ties and Derivative Painting in Seventeenth-Century Antwerp; Rudi Ekkart, Dutch Family Ties: Painter Families in Seventeenth-Century Holland; Brecht Dewilde, On Noble Artists and Poor Painters: Networking Artists in Renaissance Bruges; Natasja Peeters, From Nicolaas to Constantijn: the Francken Family and their Rich Artistic Heritage (c. 1550–1717); Miroslav Kindl, The De Herdt (De Harde) Family in the Service of Emperor Leopold in Vienna; Nils Büttner, Rubens & Son; Jeremy Howarth, The Steenwyck Paintings, Products of Family Enterprise; Hans Vlieghe, Going their Separate Ways: the Artistic Inclinations and Paths of David Teniers I, II and III; Prisca Valkeneers, Justus van Egmont (1602–1674) and his Workshop in Paris; Bert Timmermans, ‘Siet wat een vrucht dat baert hen kercken te vercieren’. Family, Agency and Networks of Patronage: towards a Mapping of the Revival of the Family Chapel in Seventeenth-Century Antwerp; Alison Stoesser, Lucas and Cornelis de Wael: their Family Network in Antwerp and Beyond

Interest Classification:
Fine Arts & Performing Arts
Art History (general)
Baroque art history
Modern History (1501 to the present)
Early modern European history (1501-1800) : local & regional history
Low Countries

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