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Cursor Mundi (CURSOR 17)

Writing Down the Myths

J. F. Nagy (ed.)
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X+326 p., 12 b/w ill., 2 b/w tables, 156 x 234 mm, 2013
ISBN: 978-2-503-54218-8
Languages: English
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Retail price: EUR 80,00 excl. tax
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Web: http://dx.doi.org/10.1484/M.CURSOR-EB.6.09070802050003050402010808

A critical investigation into myth as a literary phenomenon—does ‘mythographic’ literature preserve ancient stories or fabricate them?
 

What are myths? Are there ‘correct’ and ‘incorrect’ versions? And where do they come from? These and many other related questions are addressed in Writing Down the Myths, a collection of critical studies of the contents of some of the most famous mythographic works from ancient, classical, medieval, and modern times, and of the methods, motivations, and ideological implications underlying these literary records of myth.

While there are many works on myth and mythology, and on the study of this genre of traditional narrative, there is little scholarship to date on the venerable activity of actually writing down the myths (mythography), attested throughout history, from the cultures of the ancient Middle East and the Mediterranean to those of the modern world. By assembling studies of the major literary traditions and texts through a variety of critical approaches, this collection poses - and seeks to answer -key questions such as these: how do the composers of mythographic texts choose their material and present them; what are the diverse reasons for preserving stories of mythological import and creating these mythographic vessels; how do the agenda and criteria of pre-modern writers still affect our popular and scholarly understanding of myth; and do mythographic texts (in which myths are, so to speak, captured by being written down) signal the rebirth, or the death, of mythology?

Table of Contents

Editor’s Preface - Are Myths Inside the Text or Outside the Box? — JOSEPH FALAKY NAGY

Packaging Greek Mythology — WILLIAM HANSEN

The ‘myth before the myth began’ — RICHARD MARTIN

Starving the Slender Muse: Identity, Mythography, and Intertextuality in Ovid’s Ibis DARCY KRASNE

Medieval Latin Mythography as Death and Resurrection of Myth — JAN ZIOLKOWSKI

Dead Men Don’t Wear Plaid: Celtic Myth and Christian Creed in Medieval Irish Concepts of the Afterlife — BERNHARD MAIER

Vessels of Myth — KIMBERLY BALL

‘Venerable relics’? Re‑visiting the Mabinogi SIONED DAVIES

Caesar’s Sword, Proud Britons, and Galfridian Myths of Discontinuity — KATHERINE MCLOONE

Snorri Sturluson and the Construction of Norse Mythography — MARGARET CLUNIES ROSS

Thor and the Midgard Serpent: Whom Should We Read, Snorri or Finnur? — GÍSLI SIGURÐSSON

Some Thoughts on Saxo’s Euhemerism — JOHN LINDOW

Motivations for Hittite Mythological Texts — H. CRAIG MELCHERT

India and the Graphy o’ Myth — STEPHANIE W. JAMISON

Myth and Counter-Myth in Early Modern Japan — WILLIAM M. BODIFORD

Index

Interest Classification:
Medieval & Modern (Indo-European) Languages & Literatures
Literary theory
Comparative & cultural studies through literature
Comparative literature (general)
Classics, Ancient History, Oriental Studies
Greek literature
Classical Greek literature
Latin literature
Ancient history & archaeology: Africa & Asia
India & South Asia
Mesopotamia & Iranian plateau (Middle East)
Medieval & Renaissance History (c.400-1500)
Medieval European history (400-1500) : genres & specific topics
Historiography (historical writings in the period)
Pre-modern (but not ancient) history of other continents & subcontinents
South-East & East Asia

This publication is also distributed by: ISD, Marston
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